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...disingenuous for rich and famous moviemakers to tell us how awful it is to be rich and famous on television. As it happens, the moral of EDtv is of less import than its tone--which seems loosey-goosey but is carefully land-mined with gags--and its characters, who are unremarkable but worth getting to know. Shari, for instance, is a woman at profound discomfort in her bountiful body. Ray treats Shari as a gaudy accessory, and she accepts his evaluation. Elfman paints a nice portrait of a woman fighting for esteem. (Psst: she gets it from...

Author: /time Magazine | Title: Cinema: Famous for Being Famous | 3/29/1999 | See Source »

...dark beauty radiates the easy breeding of old-Hollywood royalty. Her wide, playful mouth suggests the young Katharine Hepburn; its I-know-I've-got-it look can be read as poise or derision. Waif-thin, Posey must have a Slinky for a spine; her walk is a loosey-goosey dance, as if house music were playing nonstop in her head. The aura is of a Park Avenue deb who gets her kicks downtown...

Author: /time Magazine | Title: CINEMA: QUEEN OF THE INDIES | 2/17/1997 | See Source »

Kaelin has, in fact, proved to be one of the minor surprises this time around. The actor-houseguest was one of Clark's biggest problems. She spent long, frustrating hours in her office and in court trying to coax coherent testimony from the loosey-goosey Kaelin. Then last week a spiffed-up, more verb-friendly Kaelin testified that Simpson was brooding, and cursing, the day before the murders over his former wife's sexual escapades, referring to an incident in which he witnessed Nicole having sex with a boyfriend, Keith Zlomsowitch. And Kaelin also mentioned last week that the three...

Author: /time Magazine | Title: O.J. SIMPSON FEELS THE HEAT | 12/2/1996 | See Source »

...Albert, made Menace II Society, a violent melodrama whose film-school flash won kudos. Last year's top novice was Kevin Smith, with his clever, scratchy comedy Clerks. Now these twentysomething phenoms are flouting the sophomore slump--the Hugheses with the epic-size Dead Presidents, Smith with the loosey-goosey comedy Mallrats. Joining them in the ambition to reach a wider audience is gay cult fave Gregg Araki, who gives his new tragi-comedy, The Doom Generation, the cunning subtitle "a heterosexual movie." The director of the homo-erratic dramas The Living End and Totally F***ed Up is itching...

Author: /time Magazine | Title: CINEMA: ELEGY FOR DEGENERATION X | 11/6/1995 | See Source »

Clueless has another ancestor in Heathers, the most influential unseen film of the past 10 years. Heathers made the mistake of treating the peer success of blond teenage girls satirically. Amy Heckerling, the writer-director of Clueless, is cannier than that. An able architect of loosey-goosey comedy (she directed Fast Times at Ridgemont High and the Look Who's Talking films), Heckerling wants the viewer to like these girls even as she pokes fun at them. The toughest intellectual challenge for Cher and her friends may be deciphering the Thomas Guide map of Los Angeles streets, but they have...

Author: /time Magazine | Title: CINEMA: TO LIVE AND BUY IN L.A. | 7/31/1995 | See Source »

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