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Word: gordon (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...name is Gordon Mills, but it might as well be Midas. In the mid-1960s he transformed a pigtailed Welsh rock belter, Tommy Scott, into the tuxedoed dandy whom the international pop world now knows as Tom Jones (the nom de chanson capitalized on the then-popular movie). Two years later Mills took a nondescript provincial singer, Gerry Dorsey, whimsically tagged him with the name of a 19th century German composer and made Engelbert Humperdinck almost as big a nightclub, TV and recording star as Jones. The musical empire that Mills has built largely on the careers of those...

Author: /time Magazine | Title: Show Business: That Mills Magic | 9/11/1972 | See Source »

...Gordon Mills stands at the forefront of what Variety calls "the new strong men of the music biz"-the talent managers, who now wield the influence and prestige once exclusively held by pop publishers, record-company executives and sometimes disk jockeys. Mills is releasing O'Sullivan's songs on his own new record label, MAM, named after the parent Mills company, Management Agency and Music. The original MAM, whose profits are running around $6,000,000 a year, has some 30 subsidiaries that, among other things, own all of Paul Anka's songs, manage the British appearances...

Author: /time Magazine | Title: Show Business: That Mills Magic | 9/11/1972 | See Source »

Like Humperdinck, Mills was born in India, the son of a British soldier. Like Jones, he grew up in Wales (after his father returned to the little mining town of Tonypandy). As a young man just out of the army, Gordon began playing a mouth organ in theaters and clubs, eventually becoming the harmonica champion of Wales. He gravitated to London, landed a job with the Morton Fraser Harmonica Gang, formed a vocal group called the Viscounts, then tried his hand at songwriting...

Author: /time Magazine | Title: Show Business: That Mills Magic | 9/11/1972 | See Source »

Directed by GORDON PARKS...

Author: /time Magazine | Title: Cinema: Racial Slur | 9/11/1972 | See Source »

Even according to the dismal standards established by predecessors like Cool Breeze, Super Fly seems remarkably exploitative and inept. Director Gordon Parks Jr. (his father is the photojournalist turned film maker who directed the two Shaft movies) cuts to a shot of the fancy grillwork on Priest's car whenever he does not know what else to do. Thus there is an abundance of grillwork shots. This is Parks' first feature, and some faults are customary under such circumstances. But Super Fly shows no evidence of perception, intelligence or sensitivity; there is only a kind of frivolous opportunism...

Author: /time Magazine | Title: Cinema: Racial Slur | 9/11/1972 | See Source »

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