Word: gordons
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...BaadAsssss also examines the music, which the larger (i.e., white) audience probably knows better than the movies. There is archival footage of Shaft's director, Gordon Parks, coaching Hayes as he records the movie's funk-legend theme, and critic Elvis Mitchell explains how Curtis Mayfield's antidrug score for Superfly subtly rebuts the movie's pusher-glorifying plot (the same tension as exists in much gangsta rap). The documentary confirms blaxploitation's lasting influence on music and movies by interviewing Afeni Shakur (mother of late rapper Tupac) and Quentin Tarantino, the white boy whom blaxploitation made. The Oscars...
...House Republicans vying this year for a promotion to the Senate, it's not surprising that Senate majority leader Tom Daschle felt a new urgency to pass just about any bill that might deny them bragging rights. The final compromise, proposed by Democrat Bob Graham of Florida and Republican Gordon Smith of Oregon, would have limited coverage to seniors of low and modest income and to those who face catastrophic costs. It was skimpier than legislation that Democrats had earlier rejected as inadequate. This time it got the votes of all but five Democrats. But with only four Republicans supporting...
...sound as close to that record as possible." On the "50th Anniversary Collection" you'll hear a 1953 instrumental, Jimmy & Walter's "Easy," whose melody closely copies the 1950 Ivory Joe Hunter ballad "I Almost Lost My Mind." Cash's "Folsom Prison Blues" was, as they say, "inspired by" Gordon Jenkins's "Crescent City Blues"; in the late '60s, the courts ruled that a better word would be "swiped," and Cash had to pay up. Rufus Thomas's "Bear Cat (The Answer to Hound Dog)," whose composition was credited to one Sam Phillips, was so direct a copy...
...best sign that Congress got its mojo working was movement on the politically explosive question of whether and how to provide prescription-drug benefits to the elderly. Few expected anything more than theater in the Senate. But quickly enough, Florida Democrat Bob Graham and Oregon Republican Gordon Smith proposed the outlines of a viable bipartisan compromise--one that offers full coverage to people with incomes under 150% of the poverty level and modest discounts to those earning more. Some Democratic strategists were worried that the party could be ceding one of its best issues this fall; one groused that...
...sexploitation began maturing, Meyer faced some serious competition. Radley Metzger's Audubon Films was importing relatively sophisticated French films with a soup?on of sexual decadence. Director Herschell Gordon Lewis and producer David F. Friedman had reaped a bonanza with the ghouly-gory-nudie-roughie "Blood Feast." (Friedman, who oddly gets no mention in "A clean BREAST!", was a mirror Meyer: an inspired huckster with a gift for literary bombast. His memoir "A Youth in Babylon: Confessions of a Trash-Film King" is a marvel of evocative high-comic writing. And stay tuned for the sequel!) So Meyer, deciding...