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...sleek, glass-walled office. Warner Bros, spent $450,000 to recreate it, right down to the wastebaskets, on their Burbank, Calif., lot; then they had real Washington Post trash shipped west to fill those baskets. The stars were pretty stunning too. Bradlee's young charges were transformed into gorgeous Robert Redford and sexy Dustin Hoffman. Jason Robards, playing Bradlee, just about ran away with the movie. Robards played him larger-than-life, carrying the repute of his paper and the fate of the nation on his well-tailored shoulders with almost too much in the way of casual bravado...

Author: /time Magazine | Title: Cinema: Watergate on Film | 3/29/1976 | See Source »

...event. "The formal of the bride," James Purcell of Bachrach Studios remarks, "is taken two weeks before the wedding with fake flowers. They photograph just as well." But the difference is visible; the formal portraits of more recent date are stiffer, more defensive. What Herbert Talerman calls the "gorgeous innocence of those early people," the proud hauteur of the bride who felt herself being immortalized by the camera, gives way to a nervous reserve as the formal portrait comes to be considered an artifact...

Author: By Eleni Constantine, | Title: Scenes from a Wedding | 3/24/1976 | See Source »

...conventional role of an upper-class woman of Edwardian England, to become the kind of vapid woman that, as Ottoline said later, "gossiped all the morning, then drove out to lunch with the shooters in tweeds, had tea in pink tea-gowns from Paris, and dined in still more gorgeous brocades and velvets." Throughout her life, Lady Morrell sought intensity--through mysticism in her youth and old age, and, in between, through a network of relationships with brilliant artists. Unable to find a satisfactory outlet for her own creative energy, she compensated for her failure by living vicariously what...

Author: By Gay Seidman, | Title: A Moth and Her Flames | 1/22/1976 | See Source »

...seems to be there: the gauzy profile of skyscrapers seen from the Statue of Liberty, the brokers and bums and cops, the lunatic bustle, the claustrophobic alleys and carnival vitality. This gorgeous parody, one of the largest environmental sculptures (other than earthworks) ever made in America, is called Ruckus Manhattan. The space for it was procured by a nonprofit organization, Creative Time Inc., which coordinated the six-month creation, and was donated by the Orient Overseas Association, a shipping company. The buildings, cars, trains, boats and people-from life-size effigies to tiny, comic-strip figures painted on vinyl -were...

Author: /time Magazine | Title: Art: Gorgeous Parody | 1/19/1976 | See Source »

Lichtenstein should above all, be enjoyed. For all the reputed sophistication of American youth, they turn out to be a surprisingly conservative and prudish bunch. "This is the wasteland!" the girl beside me at the gallery tsked disapprovingly. Look at the gorgeous colors, I wanted to say, look at the hypnotic use of Rowlux plastic, the bold. creamy black outlines. But the girl had shuffled away mumbling apocalyptically about the fate of modern...

Author: By Ta-kuang Chang, | Title: Medieval Comic-Books | 10/1/1975 | See Source »

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