Word: gorgeousity
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...which is a truly fun shoot'em up set in an alternative version of the 1950s. Aliens have invaded earth; your job is to put bullets in them. While doing so you prowl through some gloriously detailed, beautifully gloomy factories and labs and shattered cityscapes. The audio is gorgeous, the weapons copious and diverse, the levels huge and complex. In short, it's my idea of a good time...
...poet laureate William Wordsworth getting inspired during his visits in the early 19th century, rent in hand, to the home of his landlord on Lake Windermere's northeastern shore. That same house is now the Samling, an 11-bedroom hotel nestled in 27 hectares of pastures and woodland with gorgeous views of the lake. No wonder the Georgian house is occasionally hired out exclusively (and discreetly) to celebrity guests who appreciate its family-home feel. You won't encounter the smugness sometimes found in a British country-house hotel, and the traditional decor employs florals without falling victim to chintz...
...main romance between Max and Fanny propels the movie by helping to initiate the change that occurs in Max. Even sweeter throughout the film are the love stories revolving around the more minor characters, both romantic and platonic. In typical form, Ridley Scott hired stunning cameramen and chose gorgeous locations. The cinematography is stunning—particularly the landscape shots—and is definitely best appreciated on the big screen. Bottom Line: “A Good Year” may not be the best of the vintage, but it’s worth a taste...
Movies used to sail on charm. Gorgeous stars would purr their smooth patter, smile their way out of embarrassing entanglements and seal their conquest of a co-star--and a worldwide audience--with a kiss. Today that sounds So Old, but it was the standard for a half-century. Once in a while a director makes a movie that tries to recapture that warm feeling. It's harder than it looks, as a couple of new films prove...
...shoes. Many, many glorious shoes (which a discerning eye and a taste for Spanish decadence will surely recognize as the immortal Manolo Blahnik’s own handiwork). All this is to say that the film, as an aesthetic object created for pop-culture consumption, is nothing short of gorgeous. But at the same time, it feels about as fleeting as the 80s glam-rock symphony that pervades it—delightful in its transience, but somehow ultimately hollow. It’s not that the cast can really be blamed for this lack of emotional identifiability; quite...