Word: gorgeousness
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Dates: during 1970-1979
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...right chin and left cheek, has great fun with the role of Sparkish, a fop (who has a counterpart in most Restoration comedies), wielding a lorgnon and indulging in an affected speech that suggests a male Edith Evans. These characters and all the others benefit from Jane Greenwood's gorgeous period costumes...
...SUCH A GORGEOUS KID LIKE...
Light, whimsical, diverting on the surface, this sleek recreation by François Truffaut is deceptively sweet-like a fondant filled with vitriol. The gorgeous kid of the title is Camille Bliss (BernadetteLafont), another of the coyly annihilating heroines who have haunted Truffaut's work since the incomparable Jules and Jim (1961). These women tease men, taunt them, stalk them, until, as in The Mississippi Mermaid (1969), and as here, the men are so enmeshed in their own obsession that they become grateful, impassioned prisoners...
...Such a Gorgeous Kid Like Me gives this destructive dynamic still another odd twist. Truffaut makes Camille look and sound like a tomboy version of the ragamuffin youngsters who populate such chapters of his cinematic autobiography as Bed and Board. Camille's innocence, however, is chiding, manipulative, a weapon wielded with instinctual skill against a battery of eager victims...
THERE IS a bare cohesiveness that sets Such a Gorgeous Kid Like Me apart from Truffaut's other films, in spite of similarities, stylistic and otherwise, that draw it close. It is a film of individual brilliance in sequences, scenes, and even in single frames, as well as the director's nearly traditional ease and genius of characterization. In 1959, Truffaut was going to be a genius. He isn't, and it's because he hasn't tried. He simply doesn't want to tax himself, and he'd prefer not to tax us either. He could make forgettable movies...