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Word: gospels (lookup in dictionary) (lookup stats)
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REALLY GREAT GOSPEL SOMEtimes sounds like the devil. There are howls, whoops, shrieks, stomping feet, menacing bass licks and orgasmic musical undulations that would be downright sinful if they weren't being done in the name of the Lord. All this is no accident--gospel by its very form has the power to take worldly emotions and transform them into something sacred, something uplifting. Unfortunately, much of what passes for gospel today is too slick, too processed, too angelically artificial to tap into the essential emotions and sublime passions that are provoked by the genre's original, rootsier form. There...

Author: /time Magazine | Title: MUSIC: CISSY HOUSTON: MOTOWN WITH ANGELS' WINGS | 4/8/1996 | See Source »

...quartet The Sweet Inspirations, isn't as famous as her superstar daughter Whitney, but Face to Face shows she's got a throat made from the same 18-karat gold. And although the elder Houston's new album probably won't sell as well as slicker, more contemporary-sounding gospel releases--and it certainly won't move as many units as the typical Whitney CD--its unabashed religiosity indicates that Houston has her sights set on a higher, very personal audience...

Author: /time Magazine | Title: MUSIC: CISSY HOUSTON: MOTOWN WITH ANGELS' WINGS | 4/8/1996 | See Source »

...Gospel has roots in the blues, and Houston brings the music back to its source. Her opening song, God Don't Ever Change, shivers and stomps along like a Robert Johnson classic. The twanging guitar, the call-and-response between Houston and her background chorus, all help create an informal, sitting-in- a-sweaty-Southern-church-waving-a-hand-fan musical atmosphere. In fact, all the songs on the album, from the proud, soaring Too Close to the confessional Face to Face, have the earthy intimacy of top-notch blues. Along the way, Houston also turns in a patient, slow...

Author: /time Magazine | Title: MUSIC: CISSY HOUSTON: MOTOWN WITH ANGELS' WINGS | 4/8/1996 | See Source »

...album's high point, however, draws from pure pop: a gospel rendition of Marvin Gaye's love song How Sweet It Is (To Be Loved by You). "'Cause you were better to me/ Than I was to myself/ For me there is you/ There ain't nobody else," Houston sings, as the chorus shadows her words with "I want to stop/ And thank you Jesus." On the song Houston's tart, high voice is strong and slightly rough, and the accompaniment is a warm wave of piano, organ and bass guitar. It's Motown with angels' wings, and gospel...

Author: /time Magazine | Title: MUSIC: CISSY HOUSTON: MOTOWN WITH ANGELS' WINGS | 4/8/1996 | See Source »

...pages; $23.95), is that he is also a fellow of considerable substance. If only his critics could "look at me as a man and a person," he proclaims, they would realize that his racial grandstanding, inflammatory rhetoric and alleged corruption have been part of "an effort to live the gospel." By his own estimation, Sharpton has emerged as a peer of Martin Luther King Jr. and Jesse Jackson...

Author: /time Magazine | Title: BOOKS: WHITEWASH? AL SHARPTON WANTS US TO SEE HIM AS THE NEW DR. KING | 4/8/1996 | See Source »

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