Word: gospels
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While President Nixon was spreading the gospel of disengagement in Southeast Asia, Secretary of State William Rogers was deep in talks with the Japanese. Those discussions turned out to be not only diplomatically difficult but physically dangerous. A Japanese anarchist, Shigeji Hamaoka, 21, went at Rogers with a dull paint scraper and missed. Hamaoka's apparent motive: to protest the supposed injustice that Rogers was in Tokyo to discuss-continued U.S. occupation of Okinawa. The island was captured in 1945, and has since become the largest U.S. military base off the Asian mainland...
...their mettle. The putty looms large in Balsam's role as well; he plays a sly con artist whose enraged victims relieve him at various times of a hand, an ear, an eye, a leg and his scalp. And Faye? No makeup required. In her role as a gospel-spouting nymphomaniac, she performs in several stages of undress -once on the floor and once on a bed, where Hoffman pours gold coins on her belly...
...Suenens had formulated his views on churchly change in a book called The Gospel to Every Creature, in which he first described such ideas as co-responsibility of laity, priests and hierarchy in the church. In 1962, as a newly elevated cardinal, he counseled Pope John XXIII on the preparations for Vatican II, and later acted as one of the council's four moderators. Pope John selected him as a special emissary to the U.N. to present the now famous papal peace encyclical, Pacem in Terns. After John died, Suenens worked closely with his good friend Paul...
...story from the far side of the generation gap. For once the aura of evil that clings to drug-and-motorcycle movies is gone. Like other films directed to-and by-youth, Easy Rider could have settled for catcalls and rebellion. Instead the film has refurbished the classic romantic gospel of the outcast wanderer. Walt Whitman might not have recognized the bikes-but he would have understood the message...
Credit then, goes to the director--and to designer Howard Cutler, who also portrays St. Thomason stage--for exposing visually one of two sources vitality in the Gospel narrative: the perfect mythical shape which renders it as any other of the few basic stories with which men have chosen to beguile and terrify one another...