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...DIED. GIBSON KENTE, 72, revolutionary South African playwright considered the founding father of black-township theater; in Soweto. The first to bring the realities of township crime, poverty and politics to the stage - often using African gospel and jazz - Kente produced more than 20 plays, including Manana, the Jazz Prophet and the antiapartheid piece How Long. Last year he defied his country's taboos about aids by acknowledging publicly that he was HIV positive...

Author: /time Magazine | Title: Milestones | 11/14/2004 | See Source »

...never exactly clear if the words—the opening “Get Ready for Love,” for example, is built around the simple hook “Praise Him!”—are bolstered or subverted by the (effectively) overblown gospel choir behind them. Similarly, “Let the Bells Ring” centers on the repeated couplet “Let the bells ring / He is the real thing”—definitely not an original sentiment if sincere, but also not sarcastic enough in tone or delivery...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/5/2004 | See Source »

...West’s gospel today is of the secular sort. He preaches that democracy is “in crisis” and that “we need to be reminded of the intellectual and political resources available in the democratic tradition that we can build on in order to deal” with those threats...

Author: By William C. Marra, CRIMSON STAFF WRITER | Title: The Gospel of West | 11/5/2004 | See Source »

Back in Bush’s B-School days, the now defunct Hillbilly Ranch lounge and bar served as Bush’s home away from home. Located near what is now the Park Plaza Hotel, the restaurant specialized in honky tonk with hybrid blends of country, blues and gospel music. When he wasn’t hitting the books, Bush was often seen partying heartily at the Hillbilly Ranch with his cohorts, presumably over a few Sam Adams...

Author: By Carol P. Choy, CONTRIBUTING WRITER | Title: Presidential Tastes | 10/28/2004 | See Source »

Written by James L. White and director Taylor Hackford, Ray traces Charles' career briskly (given the 2-hr. 32-min. running time) and with a persuasive authenticity. Ray hones his chops on the chitlin circuit, signs with Atlantic Records and starts fusing gospel with blues. The epochal What'd I Say--a group orgasm in 12-bar form--could have wed him to rock 'n' roll. But Charles was as voracious for all kinds of music as he was for women. That is, very...

Author: /time Magazine | Title: A Ray of Light on a Blue Genius | 10/18/2004 | See Source »

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