Word: gospodi
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Dates: during 1950-1959
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...voice was strong, resonant and of uncanny clarity. He began his long prayer deliberately, never let his voice reach its maximum power (he saved that for his death scene), indulged in no gasps or sobs, nevertheless developed a painful pitch of feeling as he reached the nadir, almost whispering "Gospodi!" ("Oh my God!"). Not a handclap broke the hushed silence when he finished. Christoff's Boris is no lunatic, but a sensitive, conscience-stricken man whose terror at his infanticide finally cracks his sanity. The audience loved him. but not quite so much as he seemed to expect...
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