Word: gossip
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...course, even supermodels get old (like 25) and have to move on. But the generation that was supposed to replace them on magazine covers and in gossip columns has not come close to matching their star power. The should-have-been supermodels like Amber Valetta and current hot fashion darlings like Maggie Rizer aren't recognized on the street. "They want to make money, which is fine, but I don't know if they have the creative side," says Campbell. "They can show one outfit from another, but they can't differentiate one designer from another." Supermodels don't have...
...Bill Clinton serves out his term [CLINTON'S CRISIS, Oct. 19], he will have defended the presidency from the dragons of gossip, the wiles of wannabes and the lapses into bad behavior on the part of folks who elected him in 1996--who really don't want the government messing around in their consensual pleasures any more than you do. ED ROSELENE Rochester...
...Pulitzer Prize-winning journalist Hoelterhoff to expose all the craziness of the opera world. Her readable anecdotes of eccentric divas, push managers and overweight sopranos give a "behind-the-scenes" picture of opera that will delight everyone from the hard-core opera buffs who live for this kind of gossip, to the opera-newbies who may just want to know something more about the performers than what they can get from the programs or liner notes...
This pseudo-biography of Cecilia Bartoli is in fact only a way for Hoelteroff to neatly package all of the opera gossip that she has collected over a lifetime of being a devoted (obsessive?) opera fan and a cultural critic for the Wall Street Journal. Although Bartoli's seductive portrait is emblazoned on the cover and her name is included in the title, Bartoli remains elusive in the narrative. Hoelterhoff followed the shy off-stage mezzo on and off from 1995 to 1997 and attempted to capture her "rags to riches" story by making a parallel between Bartoli...
...true opera lover that loves to soak up every last bit of juicy opera gossip, this is a book that could easily be read in one sitting, as the comments on the back of the book jacket profess. For all of those sane, not-yet-obsessed opera fans, however, the book will take a little more effort. Although written in a relaxed, unpretentious style, the narrative is inundated with the names of every important performer, publicist, conductor and record company CEO in the business, not to mention the titles and allusions to plot synopses of most of the major operas...