Word: got
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Dates: during 1960-1969
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...evident in the White House. "I've always thought this country could run itself domestically . . . You need a President for foreign policy," Nixon told White in 1967. He quotes an unnamed friend of L.B.J.'s recalling the President's comments on his own peacemaking efforts: "I got earphones in Moscow and Manila, earphones in Rangoon, and earphones in Hanoi, and all I hear on them is 'F you, Lyndon Johnson.' " The historical value of other of his recollections is dubious. "Over the thirteen years that I have been following Humphrey," he writes, "I have never...
What finally redeems Wells for the contemporary reader is the shadow of doubt beneath the bravado-the unspoken but ever-present question of young Wells, the born loser: "What if I'm wrong?" When he was only 25, Wells wrote: "Science is a match that man has just got alight . . . It is a curious sensation, now that the preliminary splutter is over and the flame burns up clear, to see his hands lit and just a glimpse of himself and the patch he stands on visible, and around him, in place of all that human comfort and beauty...
...speech is a fairly good indication of the general level of wit to be found in Putney Swope, a frenzied, almost desperate comedy by a barely emerged underground film maker named Robert Downey. Downey-who bills himself in the credits as "a prince"-has got it into his royal head that what America really needs at this point in its history is another put-down of the advertising business. Accordingly, he has come up with the not totally unpromising notion of a group of black militants taking over an ad agency and bombarding the country with race propaganda concealed inside...
...Mozart String Quintet in G Minor K. 516 followed Schumann and was a big improvement. The addition of Isidore Cohen, who played well all evening, bolstered the violin sound immensely and the two violinists were very competent. Again, however, the piece got off to a slow start. An opening Allegro, thick in texture but still meant to move along easily and swiftly, was too slow. Furthermore the group slowed down perceptibly toward the end of the movement, as much as six to twelve beats a second. Then, as if the Schumann had not sufficiently apprized the audience of a certain...
After this nadir, the concert got under way in earnest. The last two movements of the Mozart went quite well. They chose exciting tempi and played with admirable feeling and expression. The final Allegro was particularly pleasing with a nice rhythmic drive, and exactness of nuance, and an attention to phrasing which deserve praise...