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...Thief” from their debut. Nearly 64th note bass drum and cymbal beats driving the entire track, it’s hard to keep up. Arpeggios of electric guitar fill a chorus of forceful, ominous lyrics: “She don’t mind / She got the time / I see the new moon rising...
...White Feather”—the album’s slower, sparser moments—are prime examples of this. “Pilgrim” starts with an upbeat, swing-feel guitar riff that is soon joined by percussion. “She’s got hands that go inside my mind,” Stockdale moans. The quick pace suddenly slows to half as fast, adding to an overall blues style maintained throughout the track...
...table, when one of the organizers opens the curtains and comments, “It’s a man. With a bandaged head, wearing a night-gown. That’s all it is, I see it now. It’s just that he’s got a chicken or something on the end of his arm.” This seems to be Ishiguro’s conceptualization of the human protective mechanism: the bizarrely funny and nonsensical vision of two people with mummified heads standing on a stage, subjected to the fierce currents...
...terms of reactions this was pretty good,” said former Dean Robert C. Clark. “When Dean [Elena] Kagan was appointed there was some griping among the faculty that never got in the press, and certainly when I got appointed there were wild denunciations...
...surely is the wish of the director, who though he has been working on many other scripts, remains resolute in his affection for the “Boondock” franchise. He jokes of being ready for something else (“I got some ideas. I’d like to do some gratuitous sex movies now that we’ve plowed [gratuitous violence] into the ground”), but his first loyalty is to the MacManus twins...