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...What did you think of Ben Stiller's spoof on you at the Oscars? It was great. We got a kick out of it. Jim Cameron leaned over to me as it happened and said, That's the reason we did it in CG. Having me running around painted blue in a loincloth - well, that's why we did it motion-capture...
...helped by Feste's screenplay, which presents Grace as someone irrationally fixated on the minutiae of Bennett's death. Seventeen minutes elapsed between the moment Bennett's Karmann Ghia got T-boned by a pick-up truck at an intersection and his time of death. Grace wants desperately to know about those 17 minutes - but not about the hours her son spent immediately before the accident, having the greatest night of his life consummating a love for longtime high-school crush Rose (Carey Mulligan) - a girl to whom he had never dared speak until that last...
They say comedy is the hardest genre to pull off, but to my mind, the grief drama is the most miserable beast to take on (think how the mighty Peter Jackson got mired in it in The Lovely Bones). If there's no romance to counter the loss, the box office tends not to be boffo (as with Nick Cassavetes' 2009 My Sister's Keeper which may have infuriated as many people as it moved). In theory, losing someone you love shouldn't be any less universal than finding someone to love, but it tends to be such an inwardly...
...owners of movie theaters - it's more complicated, because they have to pay to convert their projection systems from 2-D to 3-D. (Eighty years ago, when talking pictures became the standard, studios owned most of the theaters in the U.S.; they put up the conversion money, then got the revenue from the new films they produced and exhibited.) Exhibitors want in on the 3-D bonanza, so they're spending now to reap cash later. In early March, Digital Cinema Implementation Partners, a company owned by the two largest theater chains, Cinemark and AMC, announced it had raised...
...Efron, so when he came onscreen, she just danced, twirled, flapped her hands and jumped up and down." Several patrons complained, and the manager asked the Rosses to leave. "I was so frustrated, angry and upset," recalls Ross, "because Meaghan had been so happy. I thought, There's got to be a lot of children in the same situation...