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Word: gothic (lookup in dictionary) (lookup stats)
Dates: during 1900-1909
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Usage:

...Camille Enlart, Director of the Trocadero Museum of Comparative Sculpture in Paris gave an illustrated lecture yesterday afternoon in the Fogg Museum Lecture Room on "The English Origin of the Flamboyant Style of Gothic Architecture in France...

Author: NO WRITER ATTRIBUTED | Title: Origin of Gothic Architecture | 12/9/1909 | See Source »

...series of slides of well-known cathedrals in France and England M. Enlart demonstrated that the later French Gothic style was the direct outcome, not of the early French Gothic, as has been supposed, but of the English Gothic. In no case did a given peculiarity of the flamboyant style occur in France without a corresponding peculiarity having existed in England at least 30 years before...

Author: NO WRITER ATTRIBUTED | Title: Origin of Gothic Architecture | 12/9/1909 | See Source »

...Camille Enlart, Director of the Troeadero Museum of Comparative Sculpture at Paris, will give an illustrated lecture on "The English Origin of the Flamboyant Style of Gothic Architecture in France," under the auspices of the Cercle Francais, in the Lecture Room of the Fogg Museum this after noon at 5 o'clock...

Author: NO WRITER ATTRIBUTED | Title: Lecture by M. Enlart at 5 o'clock | 12/8/1909 | See Source »

Professor C. H. Moore h.'90, of the Fine Arts Department, has just returned from his tour of research and investigation in Europe. The main object of his visit was to study more thoroughly the early mediaeval monuments which show the beginnings of the so-called Gothic art of England. He has given careful attention to such important early monuments as the Norman nave of Malmesbury Abbey, St. Albans Abbey and other similar Norman works, but has occupied himself chiefly with Canterbury Cathedral as the first monument which really embodies anything of Gothic principles. Professor Moore made a direct comparison...

Author: NO WRITER ATTRIBUTED | Title: MEDIAEVAL MONUMENTS | 10/12/1907 | See Source »

...attempt in Fine Arts 4 to cover really efficiently the history of painting, sculpture, architecture and stained glass windows from the days of the Basilica of Maxentius through the seventeenth century, is ludicrous. One important division it treats well,--Romanesque church architecture of the Middle Ages and Gothic Architecture in France. But unfortunately the field of Renaissance painting in Italy is torn over in a month, while such apparently unimportant topics as the Dutch, German or Spanish Schools must be dismissed in one or two lectures...

Author: NO WRITER ATTRIBUTED | Title: THE DEPARTMENT OF FINE ARTS | 5/18/1907 | See Source »

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