Word: gothic
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Dates: during 2000-2009
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...online-distributed June album, “Feed the Animals,” is no exception. Within the context of Girl Talk’s mashups, no songs or artists are out of bounds. On “In Step,” Nirvana’s gothic “Lithium” becomes the backdrop to an upbeat jump rope chant, and though Fleetwood Mac wouldn’t top many dance floor set lists, there they are, at the top of “Let Me See You,” blended seamlessly into Trina?...
...decades, with work of very fluctuating quality, Hirst has assembled a net worth that the Sunday Times of London estimated earlier this year at $364 million. The money has bought him a farm in Devon where he lives with his companion Maia Norman and their three sons; a Gothic Revival mansion that he plans to convert into a private museum; and a house in Mexico where the family relocates for three months a year so Maia, who's Californian, can surf. When he's in London for a few days each week he takes a suite at Claridge...
...some idea of the beanstalk-like progress of a Bourne show, consider Edward Scissorhands, which opened in London in November 2005. To bring Tim Burton's gothic coming-of-age film to the stage, New Adventures raised $2 million from investors, and Arts Council England put in a further $780,000. Scissorhands played British venues until the autumn of 2006, then took off for Korea, Japan and the U.S., where it toured until spring 2007. In May of this year, a revived version of the show traveled to Australia, launching a national tour at the Sydney Opera House. The company...
...Stalin State Museum is an imposing white stone structure with hints of Italian gothic as well as Stalinist monumentalism, built on the dictator's orders back in the early 1950s around the small wooden house where he was born. It's treasures include one of Stalin's trademark woolen capes; a pair of leather riding boots; a pipe; one of just 12 death masks of the leader; letters he wrote in his native Georgian language; and an edition of the works of Immanuel Kant inscribed by the author. The museum also houses the 1930s-era armor-plated Pullman railway carriage...
Since I consider Robert Hughes to be one of this country's finest art critics, I always read his articles with great interest. However, I was surprised that in his sensitive review of ''Gothic and Renaissance Art in Nuremberg, 1300-1550'' (ART, May 26), he spoke eloquently of Sculptor Veit Stoss but not so much as mentioned the master's contemporary, Tilman Riemenschneider. It is true that the latter hailed not from Nuremberg but from nearby Wurzburg, yet all the qualities Hughes admires in Stoss's work can be found in Riemenschneider's extraordinary wood carvings. Riemenschneider was Stoss...