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Word: gothic (lookup in dictionary) (lookup stats)
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Chiles is a quintessential case of Texas Gothic. He began his broadcast free-enterprise crusade after hearing about Network. Though he never saw the movie, he recognized a kindred spirit in Newscaster Howard Beale and adapted his crazed cry of "I'm mad as hell, and I'm not going to take it any more!" The money behind Chiles' mouth ($1 million annually) comes from the Western Co. of North America, an oil well service and offshore drilling firm that he helped found in 1939 and still runs. Chiles, who worked as an oilfield roustabout before earning...

Author: /time Magazine | Title: Business: Mad Eddie | 5/26/1980 | See Source »

...will sit with the punky-elite remains to be seen, but the fact remains that this disc reveals levels of talent that even the most perceptive of critics would never have thought Lunch possessed. She fits together such divergent elements as no wave, big band torch singing, Nicoesque arch-gothic vignettes, and mid-'60s bubble gum rock as if they were somehow destined to coalesce. Without ever having indicated that there was anything up her sleeve--much less between her ears--Lunch has made a tremendous musical leap of faith that will force even the most diehard of critics...

Author: By Scott J. Michaelsen, | Title: Dada for Lunch | 3/17/1980 | See Source »

...Flattery" with "Gloomy Sunday," an organ-laden bit of doom straight out of Nico's Desertshore. Pat Irwin distinguishes herself on oboe by floating chromatic leads over the top, more than similar in style to Roxy Music's Andy Mackay. Lunch whispers her way through the materials, setting up gothic imagery much better than one might have imagined. In fact, the complete song is quite effective, not unlike reading one's first Roald Dahl story. The true thrust of the album is found in this crosscurrent of styles. Lydia Lunch definitely draws on these particular resources...

Author: By Scott J. Michaelsen, | Title: Dada for Lunch | 3/17/1980 | See Source »

...Beat the Devil, Freud and Reflections in a Golden Eye. This time, Huston has found material that was all but guaranteed to fuel the battiest recesses of his imagination. Wise Blood is based on Flannery O'Connor's extraordinary first novel, which infused the conventions of Southern gothic fiction with fiery Catholicism and surrealistic wit. Huston takes to O'Connor's hothouse style like a gambler to a royal flush. The inevitable results are the very essence of weird...

Author: /time Magazine | Title: Cinema: The Sound and the Fury | 2/25/1980 | See Source »

...improvisation might spark things along: these are decisions Michael makes. He plans the Waverly programs around a theme. Their annual December concerts in a 12th century Spanish apse at the Cloisters range over medieval, Renaissance and Baroque Christmas selections. Recently, at the Metropolitan Museum of Art, they encompassed "The Gothic Era." Next week, at Lincoln Center, it will be "The Music of Spain...

Author: /time Magazine | Title: Music: Exploring a Lost Continent | 2/18/1980 | See Source »

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