Word: gothic
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...gyngere (gingered carp) and blancmange (spiced chicken in almond cream), all to be eaten only with fingers; potables were mead and hippocras (spiced wine). As the banquet's lord of the manor, the host was outfitted in ermine-trimmed cape and ducal crown. The price tag for the gothic gaieties...
...flushed by his rise "from roaches to riches." He has 10% of Rocky, which U.A. hopes will gross more than $40 million and a five-picture contract with the studio. He is holding out for a seven-figure deal on his next project, a "great romantic gothic" movie about Edgar Allan Poe. He also wants to star in the upcoming version of Superman. But Marlon Brando, who will play Superman's father, has veto rights on casting. Says Sly: "I hope he doesn't think I do a cheap imitation of him in the love scene with...
...more remarkable is that he can use a welding torch and glue. With tin, antique doorknobs, hip baths, umbrellas, bicycle parts, lamp shades, stained glass, saucepan lids, Victrola horns, ear trumpets, soup strainers, miles of wicker and wiring, he transforms cartoon fantasies into whispering, whistling, wheezing, whirring, gothic-kinetic machines that work, but mostly play. And mock...
...ugly-duckling adolescent who is first encouraged in social flirtations, then undone by an attractive, more popular cousin. Director Joan Micklin Silver (Hester Street) misses the stronger undercurrents of F. Scott Fitzgerald's original story, just as Novice Director Peter Werner is defeated by the portentous gothic glooms of the Joyce Carol Gates story he adapted, In the Region of Ice. Actress Fionnuala Flanagan, though, finds just the right portions of grave surprise and spiritual disquiet in the role of a young nun besieged and baffled by the unrelenting attentions of one of her students. Werner at least displays...
...suggests that within every classically shaped woman there may be a ballooning romantic waiting to get out. She is also a useful vehicle for a meditation on the possibilities of modern fiction. In unobtrusive layers of allusion, Atwood pays homage to earlier forms of the novel - the picaresque, the gothic romance, the Bildungsroman and Victorian saga. She tries to shoehorn her heroine's life into the coherent contours of those forms, but Joan Foster won't sit still for the fitting. Even the baggiest literary shapes require a greater certainty about life than heroine - or author - can muster...