Word: gothic
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...celebrate this earlier renaissance, the Museum of Art at the Rhode Island School of Design has mounted a small but superb exhibition of 63 Romanesque and early Gothic stone sculptures...
Compression and Restraint. The show was organized by Brown University's Medievalist Stephen K. Scher. The most distinctive characteristic of Romanesque and Gothic sculpture, he points out, derives from the fact that it was designed to be incorporated into a church. "Whether it be the pyramid of a capital," says Scher, "or the perpendicular wall planes of the portal, the sculpture is forced to obey the laws of the structural mass. The resulting compression and restraint resemble a collected horse in dressage; the energy returns upon itself and becomes totally contained within the basic form...
...Gothic Eccentricity. Unlike many Catholic writers, Miss O'Connor never felt caught in the traditional bind between religion and art. "When people have told me that because I am a Catholic, I cannot be an artist," she said, "I have had to reply ruefully that because I am a Catholic, I cannot afford to be less than an artist." What she did was make literature her highest office by accepting the Thomist dictum: "The good of an art is to be found, not in the craftsman, but in the product of the art" "The fiction writer," she observed, "writes...
Trained as a mathematician and astronomer at Oxford, Wren used an empirical approach to architecture. In general, he kept to the Gothic tradition, with steeples and layers of construction piling upward, but to this he added French, Flemish and Italian Baroque as it suited his purpose, pleased his fancy, or kindled his architectural imagination. He might be called a virtuoso of the eclectic. St. Paul's combines coupled columns from the Louvre with the triple-layered dome of Mansart's Hotel des Invalides. It served as a model for the U.S. Capitol dome. At St. Mary leBow...
...reached epidemic proportions. Behold! A hot-air grate, raised on a walnut stand, becomes "sculpture." A chamber pot leaves its place under the bed and appears-lo!-as a soup tureen. Fortunate is the man who inherits a 1912 Corona typewriter or an Atwater-Kent radio in plywood Gothic style. They are also lucky who have-squirreled away somewhere-cast-iron toys, lead molds, bubble-gum machines, wind-up phonographs, toy steam engines, pieces of farm machinery, embossed advertisements-in fact, any of the detritus of industrialism. It is wanted...