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...toward the flesh, into the bulbous and ascetic shapes of medieval art. "The very degradation the body has suffered as a result of Christian morality served to sharpen its erotic impact. The formula of the classical ideal had been more protective than any drapery; whereas the shape of the Gothic body, which suggested that it was normally clothed, gave it the impropriety of a secret." Ergo, a rebirth of interest in the human form as a subject of art in the Renaissance, although with a different view of man implicit in every muscle, for the Renaissance--especially the Michelangelo--nude...

Author: By Gerald E. Bunker, | Title: Clark's Analysis of Nude Balances Real and Ideal | 5/10/1957 | See Source »

...only hours before Castillo Armas' successful uprising broke out in 1954. New York-born Dubois speaks fluent Spanish and Portuguese, travels 100,000 miles a year from his base in Panama as a roving reporter and Hemisphere drumbeater for the Trib. His reporting is sometimes ponderous in the Gothic provincial style approved by the late Colonel Bertie Mc-Cormick (who discovered Dubois when he was working oh the Panama Star & Herald), but it is always authoritative and accurate. And among newsmen, Dubois' scorn for censors-and his ingenuity in outwitting them-has made him a legendary figure...

Author: /time Magazine | Title: The Press: Freedom Fighter | 4/15/1957 | See Source »

...about loudspeakers outside; inside the vast empty house, La Scala's 120-man orchestra played the Funeral March from Beethoven's Eroica for its old master. Later, the coffin rested in the glow of candles and the glare of television arc-lamps in Milan's great Gothic cathedral. After Mass, Victor de Sabata, now principal conductor at La Scala, led the Cathedral and La Scala choirs in Verdi's magnificent Requiem; it is rarely heard in church because it is considered too theatrical, but Italians knew that no other requiem could be performed for Arturo Toscanini...

Author: /time Magazine | Title: Music: Requiem | 3/4/1957 | See Source »

...despite the almost presumptuous scope of his remarks, Wilson seldom takes a position lightly. In one of the book's most infuriating passage, he describe pragmatically the superiority of the American bathroom to the Gothic cathedral as a mental stimulus: "But the bathroom, too, shelters the spirit, it tranquillizes and reassures, in surroundings of a celestial Whiteness, where the pipes and the faucets gleam and the mirror makes another liquid surface, which will render you, shaved, rubbed and brushed, a nobler and more winning appearance... It encourages self-dependence and prepares one to face the world, fortified, firm...

Author: By John A. Pope, | Title: A Backward Glance At Wilson's Mind | 2/8/1957 | See Source »

...long been an apostle to the well-educated agnostic. To scoop unbelievers out of the waters of doubt into the net of faith, Anglican Lewis uses all sorts of urbane literary lures ranging from Platonic debate (The Screwtape Letters) through self-confessions (Surprised by Joy) to Gothic-romantic fictional allegory (Perelandra). This last category, to which the present book belongs, displays Lewis at his most difficult...

Author: /time Magazine | Title: Books: Psyche in Paradise | 1/28/1957 | See Source »

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