Word: gothically
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Bomarzo's Orsini combines Gothic deformity with a beautiful, refined face and a graceful pair of Tintoretto hands. Yet it is Orsini's genetic baggage, "the rucksack of my misfortune," that shapes his soul. In his childhood, the hump fostered his father's disdain and his brother's malice. When he was a youth, it caused impotence and self-disgust as Orsini had to view it multiplied in a harlot's mirrored chamber...
...Miriam, a ghost tale in the manner of Henry James, a loquacious Nanny (Mildred Natwick) is persecuted by a dead-eyed little girl (Susan Dunfee). Capote, who wrote the story at the age of 17, may be excused for an inability to distinguish between the gothic and the baroque. The Perrys, who clutter the episode with hollow scenes, flat performances and melodramatic terror-music, cannot be so easily...
...more of Wilder's stuff you see, the more you will be amazed by the man. He has done everything: trial drama ( Witness for the Prosecution ). Hollywood gothic ( Sunset Boulevard ). farce ( Some Like It Hot ), upper-crust romance ( Sabrina ). alcoholic melodrama ( The Lost Weekend ). He has done everything, and yet, he always wants the same thing from his audience-total distrust. Cynicism of the nastiest sort creeps into all of his work. While that doesn't exactly make his films pleasant, it certainly makes them unique in the history of American cinema...
...courtly International Style with the burgeoning, often brutal realism of The Netherlands. Kunsthalle Director Alfred Hentzen spent close to $60,000 to assemble all of the master's few surviving works, as well as a small treasury of related paintings, drawings and illuminated manuscripts by other late Gothic artists borrowed from 43 museums and libraries all over the world...
...simpler process of motto-lyrical oppositions to ironic commentary on all materials), and the greatest lesson of an enormously expanded sonata time-scale. But Mahler could never equal the cerulean and luminous chorale apotheoses of this Edward Gibbon of symphonists. The two men worshipped in different churches, one Gothic, the other a spectral proscenium emblazoned with existential inquiry...