Word: gothically
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What possessed Shelley? Holmes has tried to find the answer by retracing a path trampled flat by idolaters. After a pampered, precocious childhood filled with adoring sisters, gothic novels and the promise of an inherited baronetcy, Shelley was thrust into a Dickensian boarding school. At Eton, his refusal to kowtow to senior students earned him the nickname "Mad Shelley." There followed University College, Oxford, which gratefully expelled young Percy Bysshe, after a scant six months, for writing a broadside on atheism...
...Kenny, who is pretty rich himself, are the hosts with the most publicity. They throw a last-minute dinner for any friend who drops in from "another planet," and "we let people wander all over the house." Nicky also gives tea parties (replete with cucumber sandwiches) in their "Kenny Gothic" drawing room, a jungle of sculpture, animal skins, Chinese tea chests and scattered bibelots...
...Tote Stadt as a brilliant, psychologically adroit multimedia show. Movie and slide projectors play on the front scrim. Four slide projectors illuminate a scrim in the rear. Corsaro and Cinematographer Ronald Chase spread a series of images that are at times dazzling in their three-dimensional effect-grotesque faces, Gothic walls and towers, eerie grottoes, flowers, woodlands. The production opens, for example, on the exterior of Paul's house. Then, through the masonry, the portrait of Marie begins to shine. The lights come up behind the scrim in Paul's living room, with the portrait now found hanging...
...Superior Court is a drab, lofty-ceilinged room constructed with a kind of austere efficiency, doing away with the symbolic bar which might have dignified counsel, but fastidiously erecting pontifical stations for the court officers, where the gavel-equipped crew has achieved a sort of porcine grandeur. The only gothic element of the courtroom consists in long and severe, slit-like windows. The wind is forever howling among the tall buildings that hold up Government Center, but it is hardly a tragic sound, and occasionally, when the beefy officer with the jowls like the Verrazanno Bridge shuffles to the back...
...filming had some things in it that were obviously postwar--Amarcord is set in the thirties--but he didn't need to change or cover up any of them. The sense of community he creates is so overwhelming that it assimilates everything into a harmonious whole, like the way gothic and romanesque arches are set into the fabric of the town's renaissance church--contributing to the structure, absorbed into the design, yet retaining their own shape for those who care...