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Word: gothically (lookup in dictionary) (lookup stats)
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North of the Arno, the U.S. Fifth and British Eighth Armies made inroads at both ends of the Gothic Line. Torrential rains and stubborn Nazi rear guards kept them from spectacular results, but Field Marshal Albert Kesselring was making his last stand, which would end when the British could break through Rimini into the plain of the Po. Already he had pulled back the tough Nazis of the ist Parachute Division who had taken a beating before Rimini, and replaced them with Turkoman infantry of the 162nd Division...

Author: /time Magazine | Title: World Battlefronts: South: Strategical Nightmare | 9/18/1944 | See Source »

Even to most Timesmen, Strunsky is little known. He inhabits a paneled office on the Times building's hushed, neo-Gothic tenth floor, sacred to editorial writers and the library, and referred to by reporters in the bustling city room on the third floor as "Heaven." He summers in New Canaan, Conn., winters on Fifth Avenue, lives almost wholly for his work...

Author: /time Magazine | Title: The Press: Times Topicker | 9/18/1944 | See Source »

...they had been at El Alamein, Mareth, Enfidaville and Italy's Gustaf Line, the Germans were entrenched again. Now it was the Gothic Line, a complex of concrete pillboxes behind a maze of mine fields and barbed wire entanglements north of Italy's Arno River. Manning the positions were twelve divisions of stubborn Huns commanded by able Field Marshal Albert Kesselring. Their orders: to hold until the last day of summer...

Author: /time Magazine | Title: BATTLE OF ITALY: Horizontal Gothic | 9/11/1944 | See Source »

...they lost again. Farther up the Foglia, other Eighth Army units stormed across; the front was consolidated on a 20-mile stretch, and a deadly hole three to four miles deep was punched in the Gothic Line...

Author: /time Magazine | Title: BATTLE OF ITALY: Horizontal Gothic | 9/11/1944 | See Source »

Allied inspectors reported a gargoyle missing, one statue broken, one arch destroyed. The battle with the snipers had left little mark on the taller Gothic north tower, because the U.S. troops were careful to attack only with small arms. The plainer Romanesque south tower likewise showed only a little bullet chipping. Priests who ushered an A.P. correspondent around pointed out the slight damage to the interior-a few windows broken in the south transept, a few supports shattered behind the high altar. The glorious blue glass of Chartres was nowhere to be seen. But, said a priest: "At the start...

Author: /time Magazine | Title: Art: Chartres | 8/28/1944 | See Source »

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