Word: gothically
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Prick Up Your Ears is a view from outside, cool as Orton's craft. But Ken Russell has always been caged inside the beautiful mad creatures he imagines artists to be. No distance, no irony, no coherence, no prisoners. And no surprise that Russell now turns to Gothic, Stephen Volk's script about the famous night in 1816 that Byron (Gabriel Byrne) spent with his mistress Claire Clairmont (Myriam Cyr), his lover John William Polidori (Timothy Spall), his friend Percy Bysshe Shelley (Julian Sands) and Shelley's wife-to-be Mary Godwin (Natasha Richardson). From that spectral evening emerged Mary...
Frankenstein was a modern horror story; Russell means Gothic to be the last horror show. Byron is Count Dracula, feeding on his guests' dreams and demons. Shelley is every weak hero, Polidori every mad doctor, Clairmont every wench whose lust turns her into a succubus. And Godwin, racked by visions of her stillborn child, becomes the cursed mothers of The Exorcist and Rosemary's Baby. From the labor of her nightmares, she gives birth to literature's most enduring monster...
Penn, for instance, offers a wide range of rooming options for students, including living in its Quad, whose gothic architecture is popular with students for providing the flavor of tradition they say the high rises lack...
...central feature of a printing plant in Numazu (1954) is a great set of steel trusses, a wing- like cantilever from which the factory's glass walls hang. It is one of the more elegant postwar industrial buildings. St. Mary's Cathedral in Tokyo is a kind of Gothic abstraction, two enormous concrete shells sandwiched together and suspended from above, covered in an acre of stainless steel...
...least 14 films. At heart, the novel's conflict is metaphysical: Valjean believes in the forgiving God of the New Testament, Javert in the retributive God of the Old Testament. The story resounds with images of Christian redemption. Yet it is by turns a panorama of the underclass, a Gothic romance about love at first sight threatened by family secrets, a psychological study and a radical tract. The novel's scale and complexity seemingly defy adaptation to a musical, especially one that in the fashion of opera, sets every word to song. The stage version's triumph is that...