Word: gothicisms
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Other gardeners took the back-to-nature bent of Kent and Brown one step further. To fulfill the romantic fantasies of their patrons, they attempted to make nature look even more "natural" by use of simulated rock outcroppings, false ruins and crumbling bridges. They disguised gatehouses as Gothic chapels and tool sheds as moss-covered battlements. Lord Cobham, a disaffected official who left Robert Walpole's government in 1733, determined to make an allegorical statement in his garden and persuaded his architect to build a ruined Temple of Modern Virtue amidst his flower beds. During the mid-18th century...
...only B-picture makers and their fans still cared about the ineffable Transylvanian count and the strange folkloristic ways of fighting off his baleful influence (garlic on the windowsills, stakes through the heart, that sort of nonsense). Like those old programmers, the new Dracula is shot in the high gothic-romantic tradition, lushly scored and terribly serious about itself and its subject matter. It is also, like the old Hammers, quite overt-if a trifle too discreetly so-in making the connection between Dracula's blood lust and other, more conventional forms of eroticism. This time round there...
...voting rights throughout the A.A.P. membership. In general, the bigger the company, the more votes it will be able to cast. Categories are no longer confined to such elite fare as poetry and belles lettres. New subjects include such mass-market items as religion and inspiration, selfhelp, cooking, crafts, gothic romances, historical novels, fantasy, science fiction, mysteries and westerns...
...sold. So do not weep for the little old lady whose oak-paneled inglenook - so cozy with a gin and bitters- is now going to be part of a restaurant theme. The inglenook was probably put together from remnants and refimshed. "What a piece!" shouts an auctioneer, as a Gothic pulpit is wheeled up. "Put a disco jockey in that and you've really got something." Not only instant restaurant, but instant imagination...
...nature is accommodating: in hexagonal snowflakes, in the rhythmic chirping of crickets, in the natural laws of gravity and motion. Far more often, the eye sees chaos and the hand seeks to regulate it. The manner of regulation, says Gombrich, exhibits itself in decorative art. From the most elaborate Gothic structures to the smallest Christmas trees, individuals constantly attempt to fill in blank spaces and correct eccentricities. Some of the book's conclusions are debatable: "There are no laws imposing the same aim on any artist working at a given time ..." The Renaissance of Christian art would seem...