Word: gothicized
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...film's conceit is promising at the outset. The highly effective opening scenes show a dove like flock of young choristers running out from under the dripping Gothic gargoyles of a London church. Among them we find the darkly clad figure of a sullen young man in his early 20s (Sting). This stranger begins deliberately accosting passerby on the rainy street with an "accidental" jostle and a subsequent "Why, you're the last person I expected to see!" Someone finally falls for this deception--Thomas E. Bates(Denholm Eihott) a harried middle-aged writer of mass-produced inspirational verse...
...more quiet around the dormitories, a few people moving through the shadows between the exquisite and predominantly Gothic buildings of the Wendrow Wilson school. It is, as everyone says, a beautiful place...
...movie's message doesn't hurt us or even depress us, it simply follows the quotation the movie begins with about preventing ourselves from wanting to build castles in Spain. of course, everyone would like to live in a wonderful gothic palace, but such thoughts are better left for fairytales and dreams. Sabine learns her lesson and lives happily-ever-after in her own little way and as for us, well we leave full but not unpleasantly stuffed...
There can be no higher calling even for an aerialist. To celebrate the resumption (after 41 years) of construction on the world's largest Gothic cathedral, St. John the Divine, that soaring seraph of acrobats Philippe Petit, 33, tiptoed to the church across a 250-ft. wire slung 15 stories above Manhattan. The inspiration, notes Dean James Parks Morton, came from an 18th century painting by Guardi depicting circus performers outside San Marco in Venice. Having an aerialist perform, says Morton, "is proof of faith, like nothing else." And he has that on the loftiest authority...
...Grace, Bernard Malamud conceived of a latter-day Noah, adrift on an ark. Doris Lessing has taken an apparently irreversible leap into outer space with her multivolume chronicle of "galactic empires." Now Joyce Carol Oates has again wandered off into the never-never land of the neo-gothic romance. In Oates' case, the purpose of the excursion is parody. A Bloodsmoor Romance, like the author's 1980 Bellefleur, is intended to poke fun at gushy Victorian women novelists and such latter-day descendants as Barbara Cartland, Victoria Holt and Rosemary Rogers...