Word: gothicized
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Conceived in the Edwardian era of optimism, the cathedral is nothing if not ambitious. It was the first built in England's northern provinces since the Reformation, and may well be the last one in the majestic Gothic style to be erected anywhere. It is is the largest church in a country already rich in religious edifices, and the fifth largest in the world.* Its vaulting (175 ft. high under the tower) is higher than any other, its length (619 ft.) second only to St. Peter's in Rome. Work on the cathedral continued through two world wars...
What Liverpudlians got for their generosity is no mere ostentatious pile of stone. The cathedral's clean, neo-Gothic lines and interior have already been widely praised; Poet Laureate Sir John Betjeman, a connoisseur of architecture, pronounced it "one of great buildings of the world." Yet its architect, a Roman Catholic named Giles Scott, was a 22-year-old unknown when he chosen from among 102 competitors in 1903. Later Scott go on to design London's Waterloo Bridge and the massive Battersea power station, and to rebuild the bomb-gutted House of Commons after World...
Last week this gothic story turned into a murder case. The victim was Alexandra Bruce Michaelides, 29, daughter of David K.E. Bruce, a career diplomat who served as U.S. Ambassador to Britain, France, West Germany and NATO. Bruce never believed that his daughter, who was known to her family as Sasha, had killed herself. Says an old friend: "David knew there was something odd about it. He was suspicious from the start." Soon after Bruce died last year at the age of 79, his wife Evangeline hired Washington Attorney Downey Rice to investigate Sasha's death. As a result...
Marvin Molar, who walks on his hands and can balance on a finger; Herman Mack, who eats an entire car; Joe Lon Mackey, a homicidal sadist. This gallery of grotesques could only have been invented by Harry Crews, a Southern gothic novelist who often makes William Faulkner look pastoral by comparison...
Roman Antiquities, published in 1756, took Europe by storm. During most of the 19th century, with its taste for Greek classicism and Gothic gloom, Piranesi's reputation receded, even though his prints were continuously reproduced. One series, drawn when he was about 25, still grips the modern imagination. These are the Carceri d'Invenzione, or Imaginary Prisons, which are the centerpieces of the National Gallery's show. Overpowering machines loom darkly. Ropes dangle ominously from huge beams. Towering arches soar, balconies thrust across them, stairways lead upward to rooms that are not really rooms but more spaces...