Word: gothicized
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...technical aspects of the show are minimal, but almost all excellent. Stacy Eddy's tasteful set consists almost entirely of pillars--movable black posts and the upper-half of grey gothic columns hung from the ceiling -- and is complemented by Timothy Bird's exceptionally beautiful lighting. The only problem with the show's visual presentation is a sense that the director lost control of some of the more crowded scenes. The sound for the production -- designed by David Miller--is painfully poor and very obtrusive, culminating in factory whistles during Lear's final mourning over Cordelia...
...York City and New England, he was hired at 17 by The New Yorker as a cartoon sorter; even before the huge success seven years later of his first novel, Other Voices, Other Rooms, he was famous in Manhattan literary circles for his lyrical, funny and gothic short stories, nearly all on the theme of loneliness. He went on to adapt his stories for the stage, produce screenplays and write nonfiction works. Of In Cold Blood, his horrific 1965 account of the murder of a Kansas family by two drifters, he boasted that he had created a new genre...
...ster amid cries of protest. Less than three days later, in the early hours of the morning, lightning forked down on the wooden roof of the minster's 13th century south transept. By 2:30 a.m., flames were leap- ing from the medieval masterpiece that is the largest Gothic cathedral in Northern Europe...
...ever so slowly, a slab of light about the size of a cemetery plot. Into and beyond the grave, she relives her days feeding and changing her aged mother, dominating the mother with her dogged servitude, then slipping into reverie to imagine her self the sad heroine of a gothic novel. Is she mad? Is she dead? Perhaps both, or in transit between the two states, like the old woman Whitelaw plays in Rockaby. A child-dotard in her cradle-rocker, a near relative of Psycho's Mother Bates, she lullabies herself to death with the sound...
With The Obscene Bird of Night (1973), his fourth book, Chilean Author José Donoso joined the front ranks of South American fabulists. His sprawling novel not only housed more grotesques than a whole rack of Gothic thrillers; it also offered a narrator who pretended to be a deaf-mute, baroque retellings of native legends and a riot of inventiveness. Donoso was inevitably mentioned in the same breath with Borges and Marquez as yet another prophetic surrealist bent on reimagining his colorful, tragic continent...