Word: gott
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...program follows: Duet Second Sonata A. Tataranis and F. Dunning, Radcliffe Address--"Beethoven." Dr. Kellermann Songs--An die Geliebte Vertargenhelt Die Lerche", and "So Jemand sprich; Ich liebe Gott" M. Desmond, Radcliffe Song--"Die Himmel Rubmen en ewigen Elire", and "Seid umschlungen Millionen" A. H. Duhig '10. Violin Solo--Adigio from seventh Sonato Mrs. H. Bosshardt Trio a. Adagio Movement of Fourth Trio. b. Gavotte in F. major Grela Hedlund, violin; E. MacDonald, cello; Z. Bayentz, plano
...with Lieber Gott...
After all this is a highly name thought, but is it a consistent one? Mr. Lewisohn evidently is defending "modern" literature and does it well and intelligently because he chooses to point out those exponents of it who are worthy of praise. That Goethe's "Gah mitein Gott zu sagen was ich leids" is expressed in a good many of the moderns is not to be denied and that this expression is often artistic and beautiful is likewise true. But the idea of self expression "to help gave the world" would hardly fit in with true Romanticist idea...
...Gott, du frommer Gott...
...American Tragedy"--what a book what a needlessly long tour-de-force. And we don't mean maybe! Mr. Dreiser, laborious hind of realism, was disgusted by the sickly romantic breed of best sellers. "Mein Gott!" he belched. (This was way back before Prohibition.) "I shall write a book--oh, such a book." He has. It gripes the romanticists, it wearies the amoral. Mr. Dreiser has forgotten nothing; he has taken a "weary, stale, flat, and unprofitable" hero (the big gun, Willie Shakspere spouted all those adjectives) and put him through hours and hours of representative paces...