Word: gotta
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Dates: during 1980-1989
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...even if the spectators were ungagged, little would change. They would finally be allowed to go to the bathroom or get a five-dollar hot dog when they want to--and not just after odd-numbered games that never end when you really gotta go. But they still wouldn't make much noise. Look who they are. The U.S. Open isn't white-washed Wimbledon, but even without royalty, it's still a cocktail party for the rich and suntanned. (And white--my friend Ron, Wilt Chamberlain and Zina Garrison's family were the only Black people...
...book ends with a passage from Hoffman's writing. "No, sir, Flower Power ain't dead at all, brother, all we gotta do is get our shit together...and grow some thorns...Power to the People! Power to the Woodstock Nation...
...entered the spotlight with his debut film She's Gotta Have It, questions what the Civil Rights Movement is for Blacks in America today, where few have found an acceptable middle-ground between the dichotomy of Martin Luther King Jr.'s nonviolent position and the much more aggressive stance of Malcolm...
...each of his films, Lee stirs the social pot. His first success, She's Gotta Have It, in 1986, explored sexual stereotypes with the tale of a liberated young black woman who refuses to give up her three lovers. School Daze, Lee's 1988 musical, examines the tensions between light- and darker- skinned blacks on an all-black college campus; it evoked the ire of some blacks, who charged him with airing the race's dirty laundry in public. With Do the Right Thing, Lee has produced his most provocative film...
...young black bicycle messenger but was forced to abort the project when financing fell apart. Though he says it was the most painful period in his career, the resilient director turned around and started working on another script. Using some of the same actors, he filmed She's Gotta Have It in a rented restaurant attic over twelve days, editing in his studio apartment. The 1986 picture, produced on a shoestring budget of about $175,000, raised mostly from friends and family, plus an $18,000 grant from the New York State Council on the Arts, made about $8 million...