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These works, executed during the fifties are followed by a totally different type of canvases, stained with multiple circles and enclosing arcs. The colors are simple, usually those of unmixed acrylics on raw canvas. Resemblances to the work of Gottlieb and Louis are clear...

Author: By Phil Patton, | Title: To the Edge and Back | 4/21/1973 | See Source »

CURRIER HOUSE SENIOR COMMON ROOM: Patricia Kopec and Jay Gottlieb perfrom music for viola and piano, viola solo, and piano solo by Milhaud, Fuchs, Debussy, Rachmaninoff, Copland, Liszt, Brahms...

Author: NO WRITER ATTRIBUTED | Title: music | 11/9/1972 | See Source »

Corn Hints. In the current issue, for example, Princeton Physicist Melvin Gottlieb postulates that controlled fusion, using water as a source of raw material, may solve power shortages of the future. British Freelancer Jonathan Power concludes that urban development could be disastrous in Africa, where "rural life and the land offer something better than the god of G.N.P...

Author: /time Magazine | Title: The Press: The Idea Mill | 9/25/1972 | See Source »

...Among the most notable: Willem de Kooning, Adolph Gottlieb, Clyfford Still...

Author: /time Magazine | Title: Art: A Sense of Exuberance | 7/17/1972 | See Source »

Back at the Loeb, the musical menu also lists performances by the Collegium Musicum, the Harvard University Band, and Professor Leon Kirchner's Performance Seminar. The seminar performances are being organized by Currier House music tutor Jay Gottlieb. He sees the Festival as "focusing the spotlight on the arts here." More informally, Mike Luskin is scheduling Chamber Group Concerts by Harvard students in the Loeb West Lobby. These concerts will be held in the afternoons and will provide a lovely accompaniment to a stroll through the Festival's Student Art Show. The exhibit is a collection of everything from photography...

Author: By Celia B. Betsky, | Title: Festival May 1 to May 14 | 4/26/1972 | See Source »

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