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...Grande Premio went to 60-year-old Adolph Gottlieb, a founder of the New York School that helped make abstraction the international style. And the prize for the best foreign painter was won by Alan Davie, who at 43 is considered by many to be Britain's fastest-rising abstractionist...

Author: /time Magazine | Title: Art: The Blend's Best | 10/4/1963 | See Source »

These days, most German youths do not have to go journeying for jobs. Big German companies pride themselves on the size and thoroughness of their apprentice programs. Siemens has 180 special instructors for its 6,300 apprentices. Daimler-Benz, whose founder Gottlieb Daimler rose from the apprentice ranks, has a mountaintop set aside for apprentice classrooms and recreational facilities...

Author: /time Magazine | Title: West Germany: Up from Medievalism | 5/3/1963 | See Source »

...conspiracy of silence, and disgraced abroad, the Zermatt authorities at last closed down all the hotels and restaurants. To the villagers left stranded in dismal unemployment, it seemed a pity, for nearly a foot of new powder snow fell on the slopes that night. "Absolutely wonderful skiing conditions," mourned Gottlieb Perren, head of Zermatt's famed ski school...

Author: /time Magazine | Title: Switzerland: Sickness on the Slopes | 4/5/1963 | See Source »

...back as 1930, became convinced that the wave of the future in art lay in the U.S. and that the U.S. should start paying attention. And so, in 1945 he signed up Robert Motherwell and William Baziotes, packed them off to Florida to paint. Later, Adolph Gottlieb and Sculptor David Hare joined the list. Kootz refused to take Pollock, and when he began adding such foreign names as Soulages and Mathieu to his gallery (he has long been Picasso's U.S. dealer), some of his more American-minded artists left. But it is a fact that Kootz...

Author: /time Magazine | Title: Art: Best Show in Town | 11/16/1962 | See Source »

...about art, has had in some ways an even more spectacular career. Janis is not known among his colleagues as a discoverer, but he has a good eye for properties that others have already started on their way. It was to Janis that Pollock finally went, and so did Gottlieb, Motherwell and Willem de Kooning. Last week Janis was the cause of a good deal of speculation with his big new show of "pop art." Instead of the masters of abstractionism, he has gooey cakes of painted plaster by Claes Oldenburg, blown-up comic strips by Roy Lichtenstein, rearranged billboards...

Author: /time Magazine | Title: Art: Best Show in Town | 11/16/1962 | See Source »

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