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...meeting in Los Angeles Labor Temple, was lissom, exotic cinemactress Jetta Goudal, whose vivid partisanship has won her the name, "Equity's Joan of Arc." Quivering, she shouted: "As for quitters, as for scabs, I say, God damn their souls...

Author: /time Magazine | Title: Equity v. Hollywood | 8/5/1929 | See Source »

...finds his future wife, a countess, in the arms of another. He then falls in love with Lupe Velez, a cabaret entertainer dressed up and taught fine manners by the countess, who wants to fool her prospective husband. Miss Velez proves she has not lost her energy. Comtesse Jetta Goudal's weak face and sloping shoulders are in the best idiom of the Second Empire. Best shot: Lupe Velez eating when she isn't hungry...

Author: /time Magazine | Title: Cinema: The New Pictures Mar. 18, 1929 | 3/18/1929 | See Source »

...stucco bungalow; she gets dressed in a room on wheels. She is not married but plots to get other people married. When Lindbergh visited Los Angeles, she was the only cinema star who entertained him. At parties she gives imitations of Lillian Gish (in suspense), Jetta Goudal (with horsehair), the Prince of Wales (fatigued), Mae Murray (lip) and herself. Two years ago, becoming 30, she turned comedian...

Author: /time Magazine | Title: Cinema: The New Pictures Nov. 19, 1928 | 11/19/1928 | See Source »

Fighting Love (Jetta Goudal, Henry B. Walthall, Victor Varconi). A young Italian beauty marries her father's friend to escape a cad. The villain forthwith orders her husband to Tripoli. Following him into the desert, she falls in love with her handsome officer escort, marries him when her husband's death is reported. Her husband returns, only to commit convenient suicide. Endless shots of Miss Goudal staring vacantly into space between scenes of bloody Arab forays, slow up the action...

Author: /time Magazine | Title: New Pictures: Cinema | 6/6/1927 | See Source »

White Gold (Jetta Goudal). Old Carson (George Nichols) owns a sheep ranch, these six months blistered by a relentless sun. With his son, Alec (Kenneth Thomson), he herds his woolly treasure on scorched hills. Into their baked monotony the son brings his bride, a young dancing girl of quick spirit (Jetta Goudal). The maddening sun drives them all to exasperation, so that when a tramp herder (George Bancroft), driven by hunger for the bride, forces his way into the room Alec left in a huff, tragedy stalks along with him. The film comes as near to genuine tragedy as anything...

Author: /time Magazine | Title: New Pictures: Apr. 25, 1927 | 4/25/1927 | See Source »

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