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...Before there was a superhero, there had to be a hero. In the early '30s that was Dick Tracy, Chester Gould's city cop with an FBI agent's love of forensics and gadgetry (the Crimestopper's Textbook instructed kids on how to catch bad guys). What's striking today about the strip is its sanctified sadomasochism. No question, Tracy could dish it out, as in this sequence from 1947: "Like a whip, a piece of chain flies through the air - a chain attached to Tracy's cane handle. AGAIN AND AGAIN, the chain slashes! Tiny pieces of glass...

Author: /time Magazine | Title: Does Mad Need a Museum? | 2/3/2007 | See Source »

...There's also the fact that kickers are sizzling these days, and the Bears and Colts sport the two of the game's best, Robbie Gould and Adam Vinatieri. Kickers are 42 for 45 on field goals this postseason - a 93% rate - and they often mean the difference between a post-season victory and defeat. So expect plenty of field goal attempts on Super Sunday, which means just as many chances for the snappers and holders to screw up in front of 140 million viewers...

Author: /time Magazine | Title: Holding Their Own in the Super Bowl | 1/31/2007 | See Source »

Homes Before Harvard By MICHAEL GOULD-WARTOFSKY and KELLY L. LEE Monday, December 18, 2006 10:38 PM We’ve seen it before, and we’re seeing it now: Accountability and transparency is missing in action at Harvard...

Author: By The crimson editoral board | Title: FOCUS: The Charlesview Apartments | 12/18/2006 | See Source »

Kelly L. Lee ’07 is an African and African American studies concentrator in Currier House. Michael A. Gould-Wartofsky ’07, a Crimson editorial editor, is a government concentrator in Kirkland House. They are members of Student Labor Action Movement...

Author: By Michael Gould-wartofsky and Kelly L. Lee | Title: Homes Before Harvard | 12/18/2006 | See Source »

...tone of pastiche is even more obvious in the songs. Gould's farewell number, "Drift Away," recalls the elegiac mood of "Sail Away," the Noel Coward standard. "Will You?", the pretty ballad that closes the first act, takes its tonic cue from the 1936 Brown and Freed "Would You" that was introduced in San Francisco and reprised in Singin' in the Rain. The first few bars, and the whole mood, of Little Edie's lament "Daddy's Girl," are a direct lift from Sondheim's Follies song "In Buddy's Eyes." Little Edie's second-act fashion statement, "The Revolutionary...

Author: /time Magazine | Title: Making Movies Sing on Stage | 11/20/2006 | See Source »

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