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...said. "Sure," said Charlie. "We'll give him a little drama, teach him to sing, teach him to dance." "He'll never dance," Mama told Charlie firmly. "Just fix the diction." Charlie ignored her ("We do that") and put Elliott through the regular Lowe routine. "That meant everything," Gould recalled to TIME Correspondent Mary Cronin, "Blow-your-nose lessons, dance lessons, wipe yourself lessons, masturbation lessons, bunko. Compulsions for a dissatisfied mother. Why did I go? Because I loved my mother a lot. That...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

...Versatile Varieties. As he was about to go on camera for the first time, "the names of the children were being announced," Mrs. Goldstein remembers. "Charlie Lowe whispered to me: 'Now you don't want him to go on as Goldstein, do you? How about Gold?' 'No,' I said. 'Gould...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

...also got him his first part in a Broadway show. In 1957, when he was 18, Gould phoned a producer, impersonated an agent and sang the praises of a kid named Elliott Gould. The job (in the chorus line of a short-lived show called Rumple) earned him $125 a week and bursitis from hefting showgirls into the air. After Rumple crumpled, he scuffled around the periphery of Broadway, picking up a small job here and there and spending a lot of time in the 42nd Street movie houses...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

Elliott got more than he hoped for. He not only got the job, he got the lead, and Barbra got him. The show was not a hit, but Barbra won high praise for her role, and Gould's relationship with the compulsively over-achieving Brooklyn girl went on. He moved into her apartment over a seafood restaurant on Third Avenue. A year and a half later, they entered into a marriage that came perilously close to finishing Elliott. Barbra made it big in about as much time as it takes to get to Coney Island on the subway. At times...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

...were married," she says now, "but mostly he kept my feet on the ground. At the same time, I wasn't considerate enough of his problems." Those were considerable. Explaining his struggle to deal with ego damage during the years of his failure and Barbra's tremendous success, Gould says: "First of all, I came to those years with a minimum of ego. I was fighting. The first time I saw Tarzan get stuck in quicksand, I got anxiety and used to walk around locked to make sure there was no quicksand. My analyst said I was a masochist...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

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