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...When Gould got ready for the orgy in Bob & Carol by dousing himself with deodorant, gargling and climbing into bed in his undershorts and executive-length socks, millions of sexually unliberated men and women not only laughed at his unease but were moved and comforted by it. Audiences could share vicariously the exhilaration of his dream orgies in Move, and at the same time empathize with the vague big-city terrors that made him paranoid and the marital pressures that made him impotent. They recognized the death's-head hilarity of M*A*S*H and the rebellious comedy...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

...looks is part of the Gould effect. It is not so much that he seems so ordinary as that he seems so little like a star. His clothes, whether custom-made suits or crumpled fatigues, never quite fit; his hair could use a trim; and he can raise a heavy beard (as he is now doing) in a matter of days. In this era of the inescapable nude scene, Gould's ordinary and not especially well-cared-for proportions come as a blessed relief. For the average American male on a Saturday-night movie date, it was once a recurring...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

There has not been a film star of such distinctly urban identity since the days of John Garfield. But there the similarity emphatically ends. Each was distinctly a man of and for his time. Garfield strutted down city streets in the late '30s and '40s, while Gould stumbles where somebody neglected to curb his dog. Hard times tempered Garfield into tough resiliency; the characters that Gould plays frequently need help ordering breakfast. Garfield wrestled with evil forces and emerged, if not untainted, then certainly unvanquished. Gould's characters can't hold their jwn against a teen-age mugger; they...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

...wonder he watched his step. Gould is the product of a frustrated and confused childhood that he has never outgrown. His early life sounds like a black-comedy nightmare by Philip Roth out of Bruce Jay Friedman?an anxious tale of well-meaning error populated by an overbearing mother, an overshadowed father and all the tensions that go with being an only child in a middle-class Jewish household. His trouble began in an apartment in the Bensonhurst section of Brooklyn, a claustrophobic 21 rooms where Elliott shared a bedroom with his parents until he was eleven years...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

...play things like Ring-a-leevio, Three Feet to Germany, Johnny on the Pony," says Gould. But he excelled at flipping trading cards bought by the fistful down at Irving's Candy Store. "There were Smilin' Jack cards, baseball cards, World War II cards with General MacArthur and the bombing of Tokyo on them," he recalls fondly. But mastery of card flipping and having his own charge account at Irving's were not enough. Gould was terribly conscious of "a degree of vulnerability, of not wanting to make a fool of myself. I didn't feel abnormal, but I certainly...

Author: /time Magazine | Title: Show Business: Elliott Gould: The Urban Don Quixote | 9/7/1970 | See Source »

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