Search Details

Word: gounod (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Instead of providing live coverage of the battles, though, it tried to divert viewers with cartoons and reruns of soccer matches and Hogan's Heroes. The radio carried army communiqués but dropped its usual programs of Arab music in favor of such soothing Western classics as Gounod's Ave Maria and Brahms' Lullaby...

Author: /time Magazine | Title: MIDDLE EAST: Another Battle of Beirut | 5/14/1973 | See Source »

There was another rarely performed double bill at Agassiz this Fall--the New England Chamber Opera's production of Busoni's Arlecchino and Gounod's Gift of the Gods. There were also two first performances this week. The New England Regional Opera (NERO) gave Carlisle Floyd's Of Mice and Men its East Coast professional premiere last weekend at the Loeb, and the Associate Artists' Opera Company gave Karl Heinrich Graun's Montezuma its American premiere last night in Boston...

Author: By Seth M. Kupferberg, | Title: Nights at the Opera | 2/15/1973 | See Source »

AGASSIZ THEATER. New England Chamber Opera: Harlequin--Busoni and Philemon and Baucis--Gounod, Jan. 27, 8:30, $2 (students) $3 (general...

Author: NO WRITER ATTRIBUTED | Title: Classics | 1/26/1973 | See Source »

Beverly does not have the powerful top notes for roles like Tosca or Cio-Cio-San in Madama Butterfly, and particularly not for Wagnerian roles like Brünnhilde in Götterdämmerung. But she is ideally suited to bel canto, and to the French lyric romanticism of Gounod and Massenet. In these areas she is unbeatable, and even among the diverse other sopranos in this age of great sopranos?Birgit Nilsson, Sutherland, Price, Marilyn Horne, Monserrat Caballé?she more than holds...

Author: /time Magazine | Title: Music: Beverly Sills: The Fastest Voice Alive | 11/22/1971 | See Source »

...open should be a true amalgam of the visual and musical," he was steering City Opera toward total theater long before the term became fashionable. He hired such experienced directors as Frank Corsaro and Tito Capobianco, and gave then free dramatic rein. In those hands even old familiars like Gounod's Faust became provocative productions. In 1968, for instance, Corsaro transformed the simple good-conquers-evil parable of that libretto into a chilling Gothic horror tale of clashing wills between God and the devil. A year later, Capobianco launched Arrigo Boito's Mefistofele a a space-age sonet...

Author: /time Magazine | Title: Music: Julius the Cool | 11/1/1971 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | Next