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Word: gown (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...trying to milk every drop from the "dense and driven" poetry of Gerard Manley Hopkins (Caedmon), lingers with such lip-smacking satisfaction over Hopkins' sprung rhythms, internal rhymes and clashing dissonances-"lush-kept plush-capped sloe"-that the effect is a little like a gold-threaded, jewel-bedecked gown that dazzles the eye but numbs the senses...

Author: /time Magazine | Title: Books: Words in Rotation | 8/3/1959 | See Source »

...abandoned study for the ministry, done a hitch in the Navy, and finally crashed Broadway. He earned critical raves when he brought his imitations of Tallulah, Luise Rainer and Bette Davis to Broadway in New Faces of 1956, did even better the following year in Mask and Gown, a sort of one-man one-woman show. This season he is already booked for the part of the prima donna in Friml's The Firefly. Still he complains that opportunities are limited. ("I was slated for a part as one of the strippers in Gypsy, but Ethel Merman nixed...

Author: /time Magazine | Title: STRAW-HAT CIRCUIT: The Impersonator | 7/20/1959 | See Source »

...crowd at Beirut's airport was a spry little Arab in a long white gown and a white skullcap, sandals on his feet and a light of wonder in his eyes. At 71, Ahmed Youssef Murad-sometime Montana homesteader, World War I doughboy, Kentucky restaurant owner and elder of a mosque in Damascus-was happy. "My hadj was a gift of God," he said. "I will do it again if I live...

Author: /time Magazine | Title: Religion: The Hadj of Ahmed Murad | 7/6/1959 | See Source »

Under the long, lemon-tinted gown and the towering headdress of aigrette plumes, the tall, tawny body is heavier now. The warm eyes seem smaller, softer, in a face fleshed with age. But the quick, bright smile is as vivid as ever; the remembered throb of her voice still husks the rafters-a rising, clear-toned shout. At 53, Josephine Baker, the supple emigre from St. Louis who sailed into the heart of Paris on the high old tides of the '20s, is still a top banana of the boulevards. It is three years since her last "retirement...

Author: /time Magazine | Title: HEADLINERS: Charleston Forever | 6/29/1959 | See Source »

During 53 minutes, she somehow seems to use as many props as a juggler and wriggle through as many costume changes as Auntie Mame, comes out for the finale, Limehouse Blues, in an Oriental gown and Chinese makeup. She sings hot songs (Anything Goes) and cool (Why Can't You Behave), as well as specialty numbers, e.g., Good Little Girls Go to Heaven ("and smart little girls go to Bergdorf's"). Her primary gifts are a voice with volume where she wants it and a figure to match. She can be sultry and sexy, playful and cute, lonely...

Author: /time Magazine | Title: NIGHTCLUBS: In Her Fashion | 6/15/1959 | See Source »

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