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...Charles, 34, and ten-month-old Prince William, proceeded to New Zealand, but not before the princess gave Australia a little something to remember her by. At a royal ball at Melbourne's Hilton hotel, she stopped conversation dead by making her entrance in a shimmery, ice-gray gown cut daringly deep across one shoulder. At Auckland's Eden Park, Diana elicited squeals of delight from 35,000 schoolchildren when, with three Maori teenagers, she joined in the hongi, the traditional Polynesian greeting of pressing noses. Prince Charles, meanwhile, was nearly relegated to the role of spear chucker...

Author: /time Magazine | Title: People: May 2, 1983 | 5/2/1983 | See Source »

...organizing feat: "There are 19,000 seats in Tercentenary Theatre and 27,000 people who wish to come, so there is a space problem." In addition to taking constant notes for next year's event, the marshal marches in the scholarly procession that morning, dressed in academic gown, and awards the dozen or so honorary degrees to be given that year. He also takes copious mental notes about what went well, what went poorly and what could be changed for the next year...

Author: By Meredith E. Greene, | Title: Concierge of Harvard Yard | 4/29/1983 | See Source »

...tuxedo, though his shoe-heels are about three inches too high for the 1930s of Private Lives) and Taylor, who enters confidently in a low-cut nightgown and robe. But, in keeping with the tone of the evening. Taylor soon changes into a Theoni Aldredge purple sequined gown that, were the actors not a hundred feet away, would undoubtedly become her violet eyes...

Author: By Richard J. Appel, | Title: Invasion of Privacy | 4/18/1983 | See Source »

...fact that Harvard--the largest single landowner in the city--is tax exempt, still heightens town-gown tensions...

Author: NO WRITER ATTRIBUTED | Title: Tax Exemption Battle Simmers As Harvard Defends Privileges | 4/5/1983 | See Source »

...four markedly different pieces. The zany, humorous "Fontessa and Friends" opened the show with music by the Modern Jazz Quartet. Scott Joplin, Khachaturian, James P. Johnson and Linda Clifford. This lively spoof on ballet and love affairs has a definite plot Fontessa (April Brown) paces around in an evening gown, languishing for The Man, a strong, macho hunk danced by Keith McDaniel. Meanwhile, Ragtime (Ralph Glenmore), a cool Black dude reminiscent of Ben Vereen, laughs at lovers, audience and himself. He turns to the back of the stage, produces "magical" effects on the lighting, and waits for the audience...

Author: By Andrea Fastenberg, | Title: Unique Dance Synthesis | 3/17/1983 | See Source »

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