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...murder sleep"), the "Tomorrow and tomorrow" speech as he holds his dead wife in his arms. Actress McKenna made her Lady Macbeth warm and feminine ("I feel people should have compassion for the sinners of the world"). In the sleepwalking scene, her red hair streaming above a white, wispy gown and her hands scrubbing themselves in ghastly compulsion, Actress McKenna put on the greatest mad scene seen in the U.S. since Callas' Lucia di Lammermoor...

Author: /time Magazine | Title: THE STAGE: Sound & Fury | 8/10/1959 | See Source »

Siobhan McKenna's Lady Macbeth is a most impressive and consistent performance. For her first entrance she makes a long, grand sweep, with lengthy red tresses flowing down her green gown. Before she has uttered a syllable, we know that this is a woman to be reckoned with, a woman of enormous inner strength. She is able to go on to make it clear that she does not covet the crown just for her own sake but wants her husband to be king at any costs because she is so much in love with him. She introduces a novel twist...

Author: By Caldwell Titcomb, | Title: Macbeth | 8/6/1959 | See Source »

...trying to milk every drop from the "dense and driven" poetry of Gerard Manley Hopkins (Caedmon), lingers with such lip-smacking satisfaction over Hopkins' sprung rhythms, internal rhymes and clashing dissonances-"lush-kept plush-capped sloe"-that the effect is a little like a gold-threaded, jewel-bedecked gown that dazzles the eye but numbs the senses...

Author: /time Magazine | Title: Books: Words in Rotation | 8/3/1959 | See Source »

...TRAGICAL HISTORY OF THE LIFE AND DEATH OF DR. FAUSTUS (Caedmon). A rousing reading of Christopher Marlowe's curdled dramatic tale, with Frank Silvera particularly powerful as a Faustus who displays glimpses of the vile body peeping through the scholar's gown...

Author: /time Magazine | Title: Books: Words in Rotation | 8/3/1959 | See Source »

...abandoned study for the ministry, done a hitch in the Navy, and finally crashed Broadway. He earned critical raves when he brought his imitations of Tallulah, Luise Rainer and Bette Davis to Broadway in New Faces of 1956, did even better the following year in Mask and Gown, a sort of one-man one-woman show. This season he is already booked for the part of the prima donna in Friml's The Firefly. Still he complains that opportunities are limited. ("I was slated for a part as one of the strippers in Gypsy, but Ethel Merman nixed...

Author: /time Magazine | Title: STRAW-HAT CIRCUIT: The Impersonator | 7/20/1959 | See Source »

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