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...Harvard's director of state relations, Richard Doherty, agrees that "town-gown friction is really most evident around the issue of real estate...

Author: By Andrew J. Bates, | Title: Is Harvard Just Another Big Landlord? | 11/23/1988 | See Source »

Before coming to Harvard, Spiegelman served as director of the city's Community Development Department, a fact that Turk says gives her status and influence on both sides of the town-gown line...

Author: By Andrew J. Bates, | Title: Is Harvard Just Another Big Landlord? | 11/23/1988 | See Source »

...plead not guilty to charges that she and her husband, the deposed Philippine President, embezzled $103 million from their nation's treasury. Mrs. Marcos could give Bette Midler tips on making an entrance. She swept into U.S. district court in nothing less bewitching than a floor-length turquoise gown, a silk-and-chiffon terno that is traditional Philippine wear. As she hoisted her presence up the courthouse steps, packs of demonstrators reared up to denounce her as the bloodsucker of the Philippine people. One woman bared false vampire fangs...

Author: /time Magazine | Title: Law: All The World's a Stage | 11/21/1988 | See Source »

...November 1984, Blazakis said, Galanos asked the First Lady to select one of two fur jackets to go with the second Inaugural gown he was designing for her. One was a $10,500 white mink, the other a $35,000 Russian sable. According to Blazakis, Nancy had wanted to keep both. Galanos persuaded her that the American mink would be more appropriate and did not give her the sable. Mrs. Reagan, however, did not wear the mink to the Inaugural. Crispen last week said that Mrs. Reagan recalls borrowing the jacket and wearing it once, then returning it sometime later...

Author: /time Magazine | Title: Why Mrs. Reagan Still Looks Like a Million | 10/24/1988 | See Source »

...blankets from L.L. Bean are trimmed with satin and turned into evening coats; a snazzy sequined evening dress is shaped and decorated like a football jersey. Vintage cartoon characters such as Felix the Cat and the Little King undercut and complement the high seriousness of a swank evening gown. The revelation of the show, which combines work from his first collection to his very latest, is its restless response to convention, its adventurousness about shape. "I love standards," says the designer, 61, "but I don't mind breaking rules. The only standard that finally matters is taste...

Author: /time Magazine | Title: Fashion: Geoffrey Beene's Amazing Grace | 10/10/1988 | See Source »

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