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...director attempts to imbue the movie with mysteries about love, crime, and human nature, and fails utterly. The real mystery is how this movie ended up snatching any accolades at all, let alone the Oscar for Best Foreign Film earlier this year, and the Goya Prize last year—some of the highest in the industry...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: The Secret in Their Eyes | 4/20/2010 | See Source »

Standing in the serene, sunlit galleries of Madrid's Thyssen-Bornemisza Museum, the average art lover would never suspect that behind the sublime beauty of, say, Fra Angelico's Annunciation or Francisco Goya's Women with Two Children, roils a family dispute of such sordidness that it would make Jon and Kate look like the Waltons. But when Borja Thyssen, son of deceased multimillionaire Heinrich Thyssen and his fifth wife, Carmen (Tita) Cervera, decided to lay claim to his inheritance, he unleashed a tide of criminal accusations and ugly recriminations that has kept the editors and producers of Spain...

Author: /time Magazine | Title: Family Feud Imperils a Prized Spanish Art Collection | 12/9/2009 | See Source »

...began when 29-year-old Borja, who was adopted by Heinrich Thyssen when the Dutch-born Swiss industrialist married Borja's mother, showed up with a notary at the Madrid museum in early November and filed notice that he was reclaiming two paintings. Borja said that the two works - Goya's Women with Two Children in Fountain and Italian Baroque painter Corrado Giaquinto's Baptism of Christ, believed to be worth 7 million euros, were promised him as gifts by his father...

Author: /time Magazine | Title: Family Feud Imperils a Prized Spanish Art Collection | 12/9/2009 | See Source »

...happy day, one of Spain's great art collections hangs in the balance. With no apparent profession of his own, and a lifestyle that until now his mother has financed, those paintings, must be looking fairly attractive to Borja right now. "It's not my intention to sell the Goya," the young man told Hola, "But if it were necessary for the interest of my family, I would absolutely sell...

Author: /time Magazine | Title: Family Feud Imperils a Prized Spanish Art Collection | 12/9/2009 | See Source »

Each of Kentridge's film projects generates suites of charcoal drawings, most of them descendants of Goya's desolate readings of human affairs. Charcoal is exactly the right medium for Kentridge. Burnt carbon has a gravity all its own, and it's perfect for Kentridge's blasted landscapes, crowds of eternal refugees and monsters that could be the potbellied Will to Power. His world comes in shades of black, white and gray, with just occasional flecks of red or streams of bright blue that suggest water--a cool comfort against affliction but also the stuff of tears. In Felix Crying...

Author: /time Magazine | Title: Artist William Kentridge: Man of Constant Sorrow | 3/19/2009 | See Source »

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