Word: goya
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Dates: during 1950-1959
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...singled out for comment: Jack Levine's controversial Welcome Home, which shows a bloated, translucent, two-star general banqueting with his friends. "It looks," said General Eisenhower, "like a lampoon more than art, as far as I am concerned." Nobody interrupted to invoke the shades of Hogarth, Goya or Daumier, so Ike went on to say that in the future, "I think I might have something to say if we have another exhibition anywhere." Possibly, "there ought to be one or two people" on the Government's selection boards "that, like most of us here...
Although the Alba family of Spain denies it to this day, most of the experts are convinced that Francisco Goya had a love affair with the duchess of his time. After the duke died in 1796 and the beautiful duchess retired from society, at 34, to mourn alone on the Alba estate, the painter apparently joined her. His great portrait of 1797, now hanging at the Hispanic Society Museum in Manhattan, is the clue. A vital and imperious creature at the peak of womanhood, she stands dressed in mourning, dramatically pointing to the sand by her toes. On her pointing...
...ironic painting, all the author's characters stumble into the ditch of mortality. Satirist Condon is not afraid to set up outrageously improbable situations to achieve his effects. In his first novel, The Oldest Confession (1958), an Achilles among criminals was brought to heel while trying to hijack Goya's The Second of May, from the Prado. In the current fable, a brilliant Chinese disciple of Pavlov-a sort of Marxist Dr. Fu Manchu-directs the capture, brainwashing and reflex-conditioning of an entire American patrol during the Korean war. Before grinning Russian brasshats, he shows...
...world is too much with them. La Alba's common touch has drawn deep frowns from the Queen, and to save Goya's neck, the duchess renounces his attentions and ships him back to Madrid. Feverish at the thought of her fickleness, he churns out the agonized, hellborn Caprichos. In the end, the lovers are briefly, sentimentally reunited at the duchess' deathbed...
What atrocities they have not committed on history, Writers Norman Corwin and Giorgio Prosperi have dealt out to the script. Neither evidently thought that an account of the Goya-Alba romance need include mention of her husband, or of Goya's wife and 20-odd children. The characters that do manage to squeeze into the script get lines so cliché-ridden that even the Count of Monte Cristo would wince ("I'll teach her who's the Queen of Spain!" cries the Queen of Spain). Actor Franciosa brings a certain expression to the role of Goya...