Word: goya
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Dates: during 1960-1969
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Captain Frans Banning Cocq's watchmen? Rembrandt's Nightwatch is all we know of them. Napoleon's coronation? Jacques Louis David's massive painting is the permanent report. French firing squads at work in Spain in 1808? Goya's painting, both witness and indictment, has fixed the image for all time. The court of Philip of Spain? On courtesans, and dwarf retainers, Velasquez has the final word. And so it has always been the artist's task to report on the figures and events of his day, whether it be the hanging...
...taken from his collection 120 paintings, 200 drawings and twelve sculptures by fellow Spanish moderns to hang in the quaint quarters at Cuenca. After retiring from business in 1959, Zóbel looked about Spain for a place to lodge his collection, which included, aside from his works by Goya, Velásquez and El Greco, post-Picasso Spanish painters of promise. An abstractionist named Gustavo Torner, now co-director of the museum, persuaded him to try Cuenca, where a grateful mayor was happy to find someone ready to rent the hanging houses already undergoing exterior repairs...
...scene was worthy of Goya. Out of Barcelona's Gothic Santa Eulalia Cathedral marched a procession of 120 angry, black-robed priests bearing a petition that preached against the government. From the other direction charged a crowd of grises-the grey-clad, club-swinging cops who maintain order in Spain. Before the melee was ended, blood flowed from anointed pates. It was another sign of the crisis that Spain is undergoing on the long road to reality...
...priests, that was a rocky challenge. They swarmed into Barcelona-many of them wearing zippered windbreakers over their cassocks and roaring in on motorcycles-to challenge the Archbishop on his home ground. To that extent, the clear, Catalán distortion of Joan Miró was more appropriate than Goya. But more than anything, the priests were reflecting the alienation that exists in Spain between age and ambition, between the liberal principles of the Vatican and the rigidity of the Spanish Catholic hierarchy, which automatically aligns itself with the state...
...large mahogany desk. The calm does not last long. At midmorning the palace is invaded by Franco's seven grandchildren (ages one to 14). Trailed by their English nanny, they race down the Pardo's wide granite corridors, past six-foot honor guards and enormous Goya tapestries, and burst into his study. Franco idolizes his grandchildren, spends as much time with them as the press of official business permits...