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...archetypal modernist, he was disconnected from much modern art. Some of the greatest modern painters--Kandinsky, for instance, or Mondrian--saw their work as an instrument of evolution and human development. But Picasso had no more of a Utopian streak than did his Spanish idol, Goya. The idea that art evolved, or had any kind of historical mission, struck him as ridiculous. "All I have ever made," he once said, "was made for the present and in the hope that it will always remain in the present. When I have found something to express, I have done it without thinking...

Author: /time Magazine | Title: The Artist PABLO PICASSO | 6/8/1998 | See Source »

...Prado, in Spain, is one of the most horrific images ever painted by Goya: the god Saturn devouring one of his children. Mindful that an offspring could get in his way, Saturn made meals of all that he sired. In St. Charles, Mo., last week a modern parallel to that myth may have emerged. If charges are true, Brian Stewart, 31, possesses a similarly cold-blooded compulsion. He is accused of first-degree assault for injecting HIV-positive blood into his infant son, allegedly to avoid paying child support. If the boy is finally eaten away by disease, authorities...

Author: /time Magazine | Title: A Father's Treachery | 5/4/1998 | See Source »

...black, was drafted into the Vietnam War and assigned to write for the Southern Cross, a newspaper for infantrymen. Thirty years later, the artillery fire still echoes in his work. In "Ia Drang Valley," a slender, striking war poem both lyrical and blunt, a soldier dreams himself into a Goya painting of a firing squad: "I stand/ before the bright rifles,/ nailed to the moment." Komunyakaa's other great theme is race, and not just his own. In "Quatrains for Ishi" he follows a Native American from his capture on the California frontier to his interment in San Francisco...

Author: /time Magazine | Title: Books: Away the Lifeboats! | 3/30/1998 | See Source »

...Shore; the TV series takes its place with his 1981 series (and companion volume) The Shock of the New. Now that he has brought off the feat of writing a whole magazine, what does Hughes have in mind for the future? Well, he's thinking about a book on Goya--but he's in no hurry to get to it. "The donkey," he says, "needs to graze a while after dragging such a load up such a hill." All of us who have worked with him on this issue know that the climb has been steep and hard...

Author: /time Magazine | Title: ROBER HUGHES: THE ONE AND ONLY | 5/21/1997 | See Source »

...cartoon history by Stefan Kanfer, a former TIME film critic and senior editor. (The book is published by Scribner, which, oddly enough, has no cartoon division.) From the Jones, Canemaker and Kanfer works emerges a picture of the industry that might have been painted not by Disney but by Goya. It's compelling and instructive, and it ain't pretty...

Author: /time Magazine | Title: CARTOONS ARE NO LAUGHING MATTER | 5/12/1997 | See Source »

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