Word: goya
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Belgian police recovered two priceless works of art, Vermeer's Lady and a Maid Servant and Goya's Portrait of Dona Antonia Zarate. In one of the largest art heists of recent years, the paintings were stolen seven years ago from Russborough House, the Dublin-area home of the late Sir Alfred Beit, a private , collector. Three Irishmen and a Yugoslav were caught near Antwerp transporting the paintings, along with six other stolen works, in two rented cars...
...produced some of Sickert's most engrossing images. Among them are his 1929 portrait of the novelist Hugh Walpole and The Miner, circa 1935: a man just out of the pit, fiercely kissing his wife, an abrupt and passionate painting imbued with sooty grain that reminds one of late Goya. Photographs also enabled Sickert to produce, in 1936, what is probably the last portrait of a British royal personage that can claim serious aesthetic merit: Edward VIII, emerging from a limousine, clutching his black fur busby like a teddy bear. The monarch, who was shortly to abdicate, looks remarkably...
...come the mourners: six catalog essayists, rending their garments and mangling their syntax. Their rhetoric is sublime, beyond parody. "Since slavery and oppression under white supremacy are visible subtexts in Basquiat's work," intones one, "he is as close to a Goya as American painting has ever produced." "The paintings are alive and speak for themselves," cries another, "while Jean remains wrapped in the silent purple toga of Immortality." A third, between decorative quotes from Michel Foucault, extols Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse asceticism to which...
...this is the first comprehensive exhibition of his work ever held in America, or for that matter in Europe (it was previously shown in Naples and Madrid). It rounds off the series of shows by Spanish artists of the 17th and 18th centuries -- Murillo, Zurbaran, Velazquez, Goya and now lo Spagnoletto, "the Little Spaniard," as Ribera was known to his Italian admirers -- designed to close gaping holes in our collective art-historical knowledge, and to make concrete sense of the pictorial achievements of what imperial Spain called its siglo de oro, its golden century...
...bodies starkly gleaming under the carbide lights, locked in a triangle, the strain of muscles so assimilated into the physical life of the paintstrokes that the pigment runs over their contours. Bellows' contemporaries found such images "Hogarthian," but the closer ancestor of Stag at Sharkey's is late Goya. In particular the frieze of spectators' heads, yelling, gaping, sly, stupefied, brings to mind the faces in Goya's Witches' Sabbath or his Pilgrimage to the Miraculous Fountain of San Isidro...