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...surreal space in which a punch bowl from a 1931 Cowan Pottery Studio Jazz Bowl Series is a blaze of blue and black abstraction behind a case containing Mayan cylinder vases and Greek oil flasks. Ackley cites two original sites of inquiry: his desire to look at a Goya drawing next to a Hokusai print and his desire to consider Maya drawings on ceramic vessels next to more familiar ancient Greek drawings. Fittingly, they are also two of the most successful pairings. The bold red Mayan ‘drawing’ offsets the Grecian slighter white figure technique...

Author: By Anna K. Barnet, CRIMSON STAFF WRITER | Title: MFA ‘Drawing’ Exhibit Is Far Too Broad | 11/9/2007 | See Source »

...this expansion is much more than just an excuse to sell more tickets and Goya posters. Moneo's design serves the museum's collections rather than overwhelming them. "We chose him because, in addition to being a great Spanish architect, he is humble," says Zugaza. "He knew how to work harmoniously with the neoclassical architecture of the original." The new wing was never intended to bear the bold signature of a Pei pyramid or a Gehry curve; it manages instead to be quietly beautiful. An exquisitely crafted foyer of cedar, textured granite and brushed bronze is lined on one side...

Author: /time Magazine | Title: Into the Light at the Prado Museum | 10/24/2007 | See Source »

...temporary exhibits. The first of these, "The Prado's 19th Century Masters," which opens to the public on Oct. 31 and runs through April 2008, gives the museum a good opportunity to reveal another of its closely kept secrets: it holds important paintings created after 1828, the year of Goya's death, which has until now marked the chronological endpoint of its permanent collection. This exhibition of over 100 works opens with portraits from Goya's age - including one by him of a voluptuous Marquesa de Santa Cruz, and another of him, by contemporary Vicente López, depicting...

Author: /time Magazine | Title: Into the Light at the Prado Museum | 10/24/2007 | See Source »

...their way onto the walls of the Prado's original Villanueva building; now that the main galleries no longer have to house traveling shows, there's more room to show works that have tended to languish in storage. "In 1819, the museum had a gallery of contemporary drawings where Goya's work was on display," says Zugaza. "The museum's founders thought that the collection would keep extending, but our chronic problem with insufficient space prevented that. Now, we have the opportunity to stretch to our full range." The new Prado has realized that opportunity in a way that lets...

Author: /time Magazine | Title: Into the Light at the Prado Museum | 10/24/2007 | See Source »

...York City, is a show in that vein. With almost 150 works, it's a full picture of the entire man. All the same, while people will come away impressed by Turner the painter of historic events and modern horrors, one as forceful and sometimes as original as Goya, the man they'll be in awe of is still that other Turner, the incandescent bulb, the great conductor of solar power...

Author: /time Magazine | Title: The Sunshine Boy | 10/11/2007 | See Source »

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