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...Museum had something worth crowing about. Up on the wall of its softly lighted Spanish Gallery went a handsome new acquisition with a resounding title and glamorous history: Portrait of La Marquesa de Santa Cruz as Euterpe, Muse of Lyric Poetry by Spain's famed Francisco Jose de Goya y Lucientes (see color page). For generations in the hands of the Dukes of Wellington, the Muse is also a handsome tribute to the scholarship, energy and tenacity of bustling 41-year-old Richard Fargo Brown, who in three years as head of the museum's art division...

Author: /time Magazine | Title: Art: Los Angeles' Goya | 4/14/1958 | See Source »

Prime Catch. Goya's Muse is not only one of his best, but for years was also his least-known painting. He painted the young Marquesa about 1804, when she was one of the leading lights of proud Spanish intellectual circles and a member of the group that welcomed the Duke of Wellington as a national hero when he arrived to drive out Napoleon's troops. The victorious Wellington returned to London in 1814, carrying hundreds of gifts showered upon him by the grateful Spanish. Among them was the Muse. For generations it hung almost forgotten in impressive...

Author: /time Magazine | Title: Art: Los Angeles' Goya | 4/14/1958 | See Source »

...five years Brown kept tabs on the painting, in January of this year got his board of governors to pay a Manhattan dealer $270,000 for it-the biggest sum spent by the museum in years. Says Brown, enthusiastically, "It's the second-best Goya this side of the Atlantic.* It's a major painting, monumental, beautiful and appealing. Goya's handiwork shows in every stroke...

Author: /time Magazine | Title: Art: Los Angeles' Goya | 4/14/1958 | See Source »

...best: Goya's The Forge in Manhattan's Frick Collection...

Author: /time Magazine | Title: Art: Los Angeles' Goya | 4/14/1958 | See Source »

...problem is Italy's Capodimonte National Museum (see color page), an 18th century palace outside Naples that was built for the Bourbon kings in 1738 and reopened only last year as a treasure-filled art museum-100 galleries lined with canvases by such old masters as Bruegel, Goya, Mantegna, Masaccio and Titian. In converting the palace, Naples' Art Director Bruno Molajoli faced not only the staggering task of cleaning and identifying some 600 stored paintings (including two Correggios found in a case marked "rubbish"), but also laying out a modern, well-lighted museum...

Author: /time Magazine | Title: Art: MUSEUM FOR SEEING | 2/3/1958 | See Source »

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