Word: grabbings
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...produce results that I don't know about, that surprise me," Eno says, craning behind him to sneak another look at the screen. "For example I've never seen that combination before and ? Oh, that's lovely!" He leaps up and dashes to the computer to make a screen grab of the image, " ... and may never see it again." Here's an odd thing about Eno: as much as he relishes the ideas of transience and randomness that come with generative art, as much as he challenges accepted notions of artistic ownership (every image on 77 Million Paintings is copyright...
...launch of the PlayStation 3 was a show. It was all a delicately scripted process that Sony has been preparing for years. The knockout plan is working, and in the long term it might just deliver a victory. Look for Sony to grab the title belt as long as mindshare stays in its favor. And if you did snag a PS3 last week, please go home and shower...
...Vietnam. MASH set the Altman attitude and technique: sprawling frescoes with crawling cameras, dozens of characters, overlapping dialogue, and a belief that life was way too messy and complex for ordinary film narratives. Any Western town (McCabe & Mrs. Miller), casino (California Split), reception (A Wedding), concert (Nashville), Hollywood power grab (The Player), L.A. earthquake (Short Cuts), country weekend (Gosford Park) or old-time radio show (A Prairie Home Companion) could be the setting for his artful chaos, which gave actors plenty of freedom, and writers nightmares. Receiving a Lifetime Achievement Oscar this year, Altman revealed that...
...theory goes, just go to a game of Buzkashi. After a few hours on a muddy field north of Kabul, watching three dozen men on horseback charge each other to gain possession of a disemboweled calf carcass, the axiom starts to make sense. The game is simple enough: grab the calf from the ground at one end of the field, hoist it over the saddle bow, circle the flag at the opposite end of the field and drop it back in the original chalk circle to score. What makes it difficult is that every other man on the field...
...away, ignorant of its imminent demise. It was subject he painted on a vast, teeming canvas - Brueghel reimagined by Jackson Pollock - where folks elbow and fast-talk their way toward your attention. His fugue format, pouring dozens of plots into a post-ethnic melting pot, gave everyone a brief grab at movie immortality. On the great plains of Altman's precious wide screen, America bustled, hustled and tussled. His searching telephoto lens, focusing on this micro-event or that, suggested the eye of a man who is always interested, was rarely impressed by all the milling. This was the director...