Word: grace
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Dates: during 1940-1949
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Prime & Proportion. In brown-eyed, British-born Margot Fonteyn, Sadler's Wells had its coloratura. Her perfectly proportioned ballerina body (5 ft. 4 in., 112 Ibs.), her effortless grace and technique had U.S. ballet connoisseurs and critics going back for comparisons to such ballet immortals as Anna Pavlova, Olga Spessivtzeva and Tamara Karsavina, the sometime partner of the great Nijinsky. Just behind Fonteyn were two other fine dancers who could take her roles: tall, handsome Beryl Grey, 22, and flame-haired, 23-year-old Moira Shearer, dancing star of the British film The Red Shoes (which...
...tiny stage fountain above the closing notes of the clarinet." Last April, after a gala performance for Queen Elizabeth, the Evening Standard described the new Fonteyn: "Discarding the steely glitter that has sometimes divorced her from our deepest affections, she danced with simplicity, great feeling and unrivaled grace...
...nearly a week, meeting quietly in New York City, Murray and Bethlehem's tough and practical President Eugene Grace hammered out peace terms. The company, which for 26 years had provided employees with free pensions (now $50 a month at 65), would increase them to $100 a month and bear all the cost (an estimated 9? an hour, in contrast to the fact-finders' proposed 6?. Murray agreed in turn to have Bethlehem's 80,000 workers pay half the cost of a new 5?-an-hour insurance and hospitalization program...
Flash of a Knife. In 1943 when he began designing the first postwar Studebaker, Loewy decided that current cars were too bulky, too laden with chromium "spinach and schmalz," and had too many blind spots for the driver. What he wanted was slimness, grace and better visibility. To his staff he mapped the grand strategy: "Weight is the enemy . . . Whatever saves weight saves cost. The car must look fast, whether in motion or stationary. I want it to look as if it were leaping forward; I want 'built-in' motion ... If it looks 'stopped...
...sexual mores, the South further entangled itself in the guilts bred by the evil of slavery. To buttress his sense of superiority, the Southerner elevated the white woman to an impossible level of "purity" and then, to satisfy his instinctual needs, he turned to the Negroes with their "physical grace and rhythm and . . . psychosexual vigor." Each time that the Southerner "found the backyard temptation irresistible, his conscience split more deeply from his acts...